David Ben
David Gordon Ben is a Canadian stage magician, sleight of hand artist, illusionist, author, publisher, keynote speaker, magic historian, magic consultant, magic collector and former tax lawyer.
He has been a professional magician, performer, entertainer and keynote speaker since 1990. Ben is known for his sleight-of-hand technique, his knowledge of magic history and his collection of magic.
He is one of the founders of Magicana—a performing arts organization dedicated to the study, exploration and advancement of magic as a performing art—and currently serves its as executive and artistic director. He is the sole protégé of a fellow Canadian, twentieth century sleight-of-hand artist, Ross Bertram, and biographer of celebrated magician, Dai Vernon.
Early life and education
Ben was born March 5, 1961, and raised in Toronto, Ontario, Canada. His interest in magic began after receiving the book, The Stein and Day Handbook of Magic by Marvin Kaye from his father in 1973. Ben's childhood interest turned into a lifelong passion after he watched the television special Doug Henning's World of Magic. Ben became a frequent visitor to the Arcade Magic and Novelty Company in Toronto, and then Morrissey Magic Ltd. While in high school, Ben worked part-time at Morrissey Magic, learning the craft from Canadian magician and store founder, Herb Morrissey.In 1978, Ben acquired the book The Magic and Methods of Ross Bertram and in 1979, through Morrissey, Msgr. Vincent Foy and P. Howard Lyons, met the book's author, Ross Bertram. Ben studied magic with Bertram for six years and became Bertram's sole protégé.
Ben graduated with a BA from University College of the University of Toronto, an LLB from the University of Western Ontario and an LLM from the London School of Economics. He articled at the firm of Macdonald & Hayden, was called to the bar in the province of Ontario in 1989, and joined the firm of Goodman, Phillips and Vineberg as a tax lawyer.
However, in 1990, after producing a series of conventions, lectures and magic shows, Ben abandoned the conventional lawyer's life to pursue the art of magic.
In 2019, Ben was a featured alumni by the University of Toronto in a that highlights a summary of his work and contributions to magic.
Charity and outreach
In May 2000, Ben co-founded, along with broadcaster Patrick Watson and producer/director Daniel Zuckerbrot, Magicana, a not-for-profit organization dedicated to exploration and advancement of magic as a performing art.He also assisted his wife, Jan Howlett, an accomplished educator and former Director of Public Programming and Education for the Royal Ontario Museum, and executive director of the Children's Own Museum with the formation of her own school, the Howlett Academy, an independent school located in Toronto. When Howlett died on July 14, 2013, from complications due to brain cancer, Ben assumed the role of director for the Howlett Academy.
In 2004, Ben developed My Magic Hands, an outreach program designed to teach creativity and develop self-confidence and self-esteem in disadvantaged youth through the medium of magic. The program received a significant pilot funding in 2005 followed by a subsequent multi-year funding grant from the .
In 2005, inspired by his friend the late Tom Kneebone and the Smile Theatre Company, Ben created Senior Sorcery, a program designed to bring magic shows to immobile seniors, the goal being to create intergenerational opportunities for the old to invite the young to share the experience of magic.
In 2009, Ben acquired the collection of late Canadian magic icon, Sid Lorraine, adding it to his already considerable magic holdings. Ben's holdings also include the collection of Stewart James, Willis Kenney, David Drake, Bruce Posgate, and items belonging to Dai Vernon. Ben developed a number of online exhibitions for Magicana including Ross Bertram, Master Magician 2010; Sid Lorraine: The Magical Chatterbox 2009; The Life & Magic of Stewart James 2007.
In 2024, the Lilly Library, Indiana University acquired part of Ben’s collection of books, periodicals, ephemera, notebooks and personal papers related to magic.
Theatre
The Conjuror (1996, 1997, 1998, 2002, 2014)
The Conjuror was a theatrical recreation of a performance by a celebrated Canadian conjuror at St. George's Hall in London circa 1909. The play was developed by Ben and Canadian broadcasting icon, Patrick Watson, after a chance encounter between the two at the home of Canadian media mogul and magic aficionado Allan Slaight.The Conjuror, with set and costumes by Kelly Wolf, had its world premiere at the Shaw Festival in 1996. The show had outstanding box office and critical reviews. Christopher Newton, Artistic Director of the Shaw Festival, "dip his imagination in the Golden Age of Magic" and invited Ben and Watson to revisit The Conjuror the following season. The Conjuror – Part 2, with set design by William Schmuck and lighting by Bonnie Beecher, had its world premiere at the Shaw Festival in 1997 featuring "seven illusions accomplished with panache". At the end of the season, Ben and Watson amalgamated The Conjuror and The Conjuror – Part 2 into The Compleat Conjuror for a special gala fundraising performance for the Festival.
While Ben and Watson were developing The Conjuror, Ben became reacquainted with Daniel Zuckerbrot. Zuckerbrot, a documentary filmmaker, retained Ben to levitate David Suzuki, the host of The Nature of Things, for a Zuckerbrot film "Martin Gardner: Mathemagician". Zuckerbrot proposed recording the development of The Conjuror. The result was "A Conjuror in the Making", which aired on the Adrienne Clarkson Presents on the CBC and on Breakfast with the Arts on the A&E Network in the United States. The film follows magician David Ben and director Patrick Watson through rehearsal, show development and finally to the opening night performance at the Shaw Festival. The documentary won gold at WorldFest-Houston International Film Festival, and the Chris Statuette at the Columbus International Film & Video Festival.
In 1997, Lindsay Sharp, then Director of the Royal Ontario Museum, invited Ben to stage The Conjuror at the ROM. Ben and his team refurbished the theatre in the Museum – a theatre that had been dormant for theatrical productions for 35 years. A 90-minute version of The Conjuror opened in December 1997 at Theatre ROM and ran for four months. It then embarked on a regional theatre tour of Ontario in the summer of 1998 "deftly conjuring charming show".
The play was remounted to continued acclaim in Toronto in 2002, now with original music by John Lang, and ran for six weeks.
The Conjuror was remounted in December 2014 for a limited-engagement of 12 shows for six days for Soulpepper Theatre.
The Conjuror's Suite (1999, 2000)
In 1999, Ben and Watson created a new 90-minute show—The Conjuror's Suite—an exploration of parlor magic inspired by the work of Jean Eugène Robert-Houdin, Johann Nepomuk Hofzinser and Max Malini. With Ed Kotanen's design and Bonnie Beecher's lighting, Ben and Watson created a three-quarter surround theatre in the Garfield Weston Exhibition Hall at the Royal Ontario Museum for the show. The Conjuror's Suite received critical acclaim, and Ben was invited to restage the work by Curtis Barlow at the Charlottetown Festival in Prince Edward Island for the summer of 2000.Tricks (2004, 2015)
Collaborating again with Watson, Ben wrote a new theatrical work, Tricks—a post-modern show focusing on the classics of magic. He returned to the stage with critical success. Designer credits: set design by David Rayfield, lighting by Bonnie Beecher and an original score by John Lang. The work was presented in 2004 at Artword Theatre in collaboration with Magicana.Tricks was remounted in December 2015 for a limited-engagement for Soulpepper Theatre.