Censorship in New Zealand
Censorship in New Zealand has been present since around 1850 and is currently managed by the Classification Office under the Films, Videos, and Publications Classification Act 1993.
Over the years, New Zealand has gone through many iterations of censorship legislation. What began in the 1850s as vague and weak legislation was repeatedly updated with each iteration of censorship legislation addressing perceived shortcomings of the previous legislation. Notable changes in New Zealand censorship legislation include the continued attempts to give an objective criterion for determining whether something should be censored and the establishment of a centralized body that handles most censorship matters. These iterations adapted New Zealand legislation to changing times, and moved censorship in New Zealand in a more liberal direction.
The Classification Office is the government agency that is currently responsible for classification of all films, videos, publications, and some video games in New Zealand. It was created by the aforementioned Films, Videos, and Publications Classification Act 1993 and is an independent Crown entity. The head of the Office is called the Chief Censor, maintaining a title that has described the government officer in charge of censorship in New Zealand since 1916.
Censorship legislation (1850–present)
Early acts
The Obscene Publications Act 1857 was one of the earliest censorious acts in New Zealand. Aimed at "works written with the single purpose of corrupting the morals of youth and of nature calculated to shock the common feeling of decency in any well regulated mind", it laid out a process by which obscene works could be destroyed, but did not explicitly define what could be considered an obscene work under law. This was followed by Vagrant Act of 1866 and the Police Offences Act of 1884, which both lightly contributed to censorship legislation. Both of these acts focused on banning the display of obscene media in public, but did not give much precision to the definition of "obscene".The later Offensive Publications Act of 1892 was passed to formalize some of the legal procedure surrounding such cases, but the act contained major loopholes that made it difficult to actually prosecute someone under it. This act was in part targeted at reducing the spread of advertisements for fraudulent medical practices, which had become common by the 1880s.
Early censorship was enforced by allowing postmasters to open and dispose of mail that they thought contained material in need of censorship. This power was given to them by the Post Office Acts Amendment Act of 1893.
Indecent Publications Act 1910
The Indecent Publications Act 1910 was one of New Zealand's earlier pieces of legislation regarding censorship, and remained in effect until it was repealed in 1963 by the Indecent Publications Act 1963. Its aim was in part to shore up some of the weaknesses of the aforementioned 1892 act. Notably, the act allowed for more aggressive law enforcement when it came to searching for and seizing indecent material and introduced a set of guidelines for determining whether something was indecent or not. That said, it did not explicitly define the term "indecent" and the Hicklin Rule was often applied by courts evaluating censorship cases.A centralized censoring body did not exist at the time of this act's passing, and a good amount of censorship during the lifespan of this act was done by the Minister of Customs. Due to a close relationship between the Customs Act 1913 and the Indecent Publications Act 1910, the Comptroller of Customs was able to seize material that they considered to be indecent "within the meaning of the Indecent Publications Act", effectively censoring it. Notably, Forever Amber was censored by this method.
Beginning in 1945, the censorship method put in place by the aforementioned interaction between the Customs Act and the Indecent Publications Act began to draw concern from the public and from groups like the New Zealand Library Association that had a particular stake in censorship. The main concerns were with the suitability of the people who passed judgement on whether a book would be censored or not and with the absence of clear, objective criteria or guidelines for determining whether something should be censored or not. This public furor was in part triggered due to the somewhat arbitrary censorship of Forever Amber. In response to this concern, a committee led by Ian Gordon was established in 1953 to review and provide advice on whether a book should be censored. However, this committee had very little power, and it was not mandatory for the Customs Department to consult the committee or to listen to its recommendations. Eventually, the Customs Department stopped consulting this committee entirely.
In 1960 the novel Lolita by Vladimir Nabokov was banned by the Supreme Court under this act. This decision was made based on an interpretation of the clause "unduly emphasizing matters of sex" as meaning "dealing with matters of sex in a manner which offends against the standards of the community in which the article is published". Eventually, the book was judged to be indecent on the basis that it "would have a tendency to corrupt or deprave a class of readers not negligible in number", despite its literary merit.
Indecent Publications Act 1963
The passage of the Indecent Publications Act 1963 brought with it great changes to censorship in New Zealand. The Act was designed to react to the problems of the prior Act and notably it moved the responsibility for classifying books and sound recordings from the courts to a committee of experts. However, the classification of other forms of media, including photographs, remained the jurisdiction of the courts. The Act also sought to correct the drawbacks of the old evaluation procedure by formulating more objective criteria, ensuring that a book was evaluated by experts, defining "indecent" in stronger terms, and allowing for a range of judgement beyond just "decent" and "indecent". The Act allowed for the re-submission of books or other media, and in doing so allowed New Zealand censors to adapt to changing times.The committee of experts established by the Act was known as the Indecent Publications Tribunal, and it acted as the main censoring body for New Zealand until the passage of the Films, Videos, and Publications Classification Act 1993. The committee consisted of five members, and at least two members were required to have significant expertise in the fields of literature of education. Beginning in March 1964, the Tribunal was responsible for examining books and audio media and classifying them based on the criteria outlined in the act. The Indecent Publications Tribunal was not all-powerful and could only rule on publications that had first been submitted to it.
The Indecent Publications Tribunal was notably responsible for the reclassification of the book Lolita in 1964 as 'not indecent', thus allowing for the legal purchase of the book. The decision to overturn the judgement made under the 1910 Act was made in consideration of the new definition of "indecent" in the 1963 Act, under which the literary merit of the work was to be considered in the Tribunal's decision. This judgement ultimately passed with 3 assenting members and 1 dissenting member who viewed the book as perverse and of no exceptional merit. This dissenting voice came from Judge A. P. Blair, the then chair of the Tribunal, who called for the book to be restricted to those over the age of 18.
While this Act centralized censorship to an extent, the Customs Department still played a large role in enforcing censorship. Much like they could under the 1910 Act, the Customs Department was still able to seize material that it considered offensive. These seizures were only contestable if disputed, in which case the matter would be referred to the Indecent Publications Tribunal.
This Act was notably criticized by the Society for Promotion of Community Standards, which was founded by conservative Catholic pro-censorship activist Patricia Bartlett in 1971. The SPCS took issue with some of the more liberal decisions of the Indecent Publications Tribunal and opposed most sexual content. Their activism aided the passage of a 1972 amendment that introduced some controversial changes.
Homosexual Law Reform Act 1986
After Parliament passed the Homosexual Law Reform Act 1986, New Zealand censorship regulatory bodies could not rely on previous case law and Tribunal decisions based on the illegality of sex between men. Later that same year, in Howley v Lawrence Publishing, the Court of Appeal found that censorship regulators should base their decisions on social scientific and medical research.During the 1980s and 1990s, an increasingly proactive LGBT New Zealand community fought several test cases that expanded Howley's precedent to encompass all government censorship regulatory bodies. The Society for Promotion of Community Standards lost all of these cases, whether before the Indecent Publications Tribunal, High Court, Court of Appeal, or the later Classification Office.
Today, most lesbian and gay erotic media that contains sexual imagery is labelled R18, available only to those eighteen years of age and over. While fetishist erotic media is similarly regulated, any media that is considered to promote or support paedophilia, necrophilia, zoophilia, coprophilia, urophilia, or drug manufacture information is prohibited in New Zealand.
Films, Videos, and Publications Classification Act 1993
The passage of the Films, Videos, and Publications Classification Act 1993 merged the previously separate Indecent Publications Tribunal, Chief Censor of Films, and the Video Recordings Authority into a single agency, the Classification Office. This agency presides over censorship in New Zealand to this day.In addition to the Office, the Film & Literature Board of Review, made up of 9 experts, was established as the agency that presides over the appeals process for decisions made by the Office. The Board of Review handles appeals made within 28 working days of the original decisions. Any later appeals must be made at least three years from the original decision and are evaluated by the Office itself.
Under this Act, films, videos, DVDs, and video games have to go through the Office for classification and labelling, while books, magazines, music, and newspapers are only processed when a complaint it raised about them by a third party. While it was always mandatory for a film to have a physical label displaying its classification, similar rules for print media were not put into place until 2005, where an amendment to the Act required that print media given a restricted classification have a physical label denoting this classification.
The Office receives very few classification requests for printed media; only 25 items were classified in 2007.