Carnegie Hall
Carnegie Hall is a concert venue at 881 Seventh Avenue, between 56th and 57th Streets, in Midtown Manhattan, New York City. Designed by architect William Burnet Tuthill and built by its namesake, industrialist and philanthropist Andrew Carnegie, the venue is one of the most prestigious in the world for both classical music and popular music. Carnegie Hall has its own artistic programming, development, and marketing departments and presents about 250 performances each season. It is also rented out to performing groups.
The Carnegie Hall complex has 3,671 seats divided among three auditoriums. The largest one is the Stern Auditorium, a five-story auditorium with 2,790 seats. Also part of the complex are the 599-seat Zankel Hall, located below ground on Seventh Avenue, as well as the 268-seat Joan and Sanford I. Weill Recital Hall on 57th Street. Besides the auditoriums, Carnegie Hall contains offices on its top stories.
Carnegie Hall, originally the Music Hall, was constructed between 1889 and 1891 as a venue shared by the Oratorio Society of New York and the New York Symphony Society. The hall was owned by the Carnegie family until 1925, after which Robert E. Simon and then his son, Robert E. Simon Jr., became owner. Carnegie Hall was proposed for demolition in the 1950s in advance of the New York Philharmonic relocating to Lincoln Center in 1962, but was saved by a public campaign led by Isaac Stern. Though Carnegie Hall is designated a National Historic Landmark and protected by the New York City Landmarks Preservation Commission, it has not had a resident company since the New York Philharmonic moved out. Carnegie Hall was renovated multiple times throughout its history, including in the 1940s and 1980s.
Site
Carnegie Hall is on the east side of Seventh Avenue between 56th Street and 57th Street, two blocks south of Central Park, in Midtown Manhattan, New York City. The site covers. Its lot is wide, covering the entire width of the block between 56th Street to the south and 57th Street to the north, and extends eastward from Seventh Avenue.Carnegie Hall shares the city block with the Carnegie Hall Tower, Russian Tea Room, and Metropolitan Tower to the east. It is cater-corner from the Osborne apartment building. It also faces the Rodin Studios and 888 Seventh Avenue to the west; Alwyn Court, The Briarcliffe, the Louis H. Chalif Normal School of Dancing, and One57 to the north; the Park Central Hotel to the southwest; and CitySpire and New York City Center to the southeast. Right outside the hall is an entrance to the New York City Subway's 57th Street–Seventh Avenue station, served by the.
Carnegie Hall is part of a former artistic hub around a two-block section of West 57th Street between Sixth Avenue and Broadway. The hub had been developed during the late 19th and early 20th centuries. Its opening in 1891 directly contributed to the development of the hub. The area contains several buildings constructed as residences for artists and musicians, such as 130 and 140 West 57th Street, the Osborne, and the Rodin Studios. In addition, the area contained the headquarters of organizations such as the American Fine Arts Society, the Lotos Club, and the American Society of Civil Engineers. By the 21st century, the artistic hub had largely been replaced with Billionaires' Row, a series of luxury skyscrapers around the southern end of Central Park.
Architecture and venues
Carnegie Hall was designed by William Tuthill, along with Richard Morris Hunt and Adler & Sullivan, in a modified Italian Renaissance style. While the 34-year-old Tuthill was relatively unknown as an architect, he was an amateur cellist and a singer, which may have led to him getting the commission. Dankmar Adler of Adler & Sullivan, on the other hand, was an experienced designer of music halls and theaters; he served as the acoustical consultant. Carnegie Hall was constructed with heavy masonry bearing walls, as lighter structural steel framework was not widely used when the building was completed. The walls measure thick in some places, while the floor slabs, thick, are made of cement and hollow tiles.Carnegie Hall is composed of three structures arranged in an "L" shape; each structure contains one of the hall's performance spaces. The original building, which houses the Isaac Stern Auditorium, is an eight-story rectangular building at the corner of Seventh Avenue and 57th Street, measuring along the street and along the avenue. The 16-story eastern wing contains the Weill Recital Hall and is located along 57th Street. The 13-story southern wing, at Seventh Avenue and 56th Street, contains Zankel Hall. Except at the eighth floor, all three structures have floor levels at different heights.
Facade
Carnegie Hall was designed from the outset with a facade of Roman brick. The facade was decorated with a large amount of Renaissance details. Most of the exterior walls are covered in reddish brown brick, though decorative elements such as band courses, pilasters, and arches are made of architectural terracotta originally by the New York Architectural Terra-Cotta Company. As originally designed, the terracotta and brick were both brown, and the pitched roof was made of corrugated black tile, but this was later replaced with the eighth floor.The original section of the building is divided into three horizontal sections. The lowest section of the building comprises the first floor and the first-floor mezzanine, above which is a heavy cornice with modillions. The main entrance of Carnegie Hall is placed in what was originally the center of the primary facade on 57th Street. It consists of an arcade with five large arches, originally separated by granite pilasters. An entablature, with the words "Music Hall Founded by Andrew Carnegie", runs across the loggia at the springing of the arches. The center three arches lead directly to the Stern Auditorium's lobby, while the two outer arches lead to staircases to upper floors. On either side of the main entrance are smaller doorways, topped by blank panels at the mezzanine. There are five similar doorways on Seventh Avenue. The original backstage entrance is on 161 West 56th Street.
On the third and fourth floors, above the main entrance, is a two-and-a-half story arcade on 57th Street with five round-headed arches. A balcony with a balustrade is carried on console brackets in front of this arcade. Each arch has a horizontal terracotta transom bar above the third floor; two third-floor windows separated by a Corinthian column; and two fourth-floor windows separated by a pilaster. A broad terracotta frieze runs above the fourth floor, at the springing of the arches. To either side of the arcade, there are two tall round-arched windows on the second floor; those on the east flank a blind arch. There are pairs of pilasters on the fourth-floor mezzanine, above which is a string course. The Seventh Avenue facade is similar in design, but instead of window openings, there are blind openings filled with brick. Additionally, the arcade at the center of the Seventh Avenue facade has four arches instead of five.
The sixth floor, at the center of the 57th Street facade, contains five square openings, each with a pair of round-arched windows. On either side of these five openings, there are round-arched windows, arranged as in a shallow loggia. There are four arched windows on the eastern portion of the sixth floor, as well as two arches on the west portion, which flank a blind arch. A frieze and cornice run above this floor. The seventh floor was originally a mansard roof. As part of an 1890s alteration, the mansard was replaced with a vertical wall resembling a continuous arcade. The seventh floor is topped by balustrades with decorated columns. The flat roof was converted into a roof garden with kitchen and service rooms. Carnegie Hall was also extended to the corner of Seventh Avenue and 56th Street, where a 13-story addition was designed in a similar style as the original building. The top of this addition contains a main dome, as well as smaller domes at its four corners.
Venues
Main Hall (Stern Auditorium/Perelman Stage)
The Stern Auditorium is six stories high with 2,790 seats on five levels. Originally known as the main auditorium, it was renamed after violinist Isaac Stern in 1997 to recognize his efforts to save the hall from demolition in the 1960s. The main auditorium was originally planned to fit 3,300 guests, including two tiers of boxes, two balconies, and a parquet seating 1,200. The main hall accommodated the performances of the New York Philharmonic from 1892 to 1962, when the Philharmonic moved to Lincoln Center.Its entrance is through the Box Office Lobby on 57th Street near Seventh Avenue. When planned in 1889, this entrance was designed with a marble and mosaic vestibule measuring high and long. The entrance lobby is three stories high and had an organ loft at the top, which was converted into a lounge area by the mid-20th century. The lobby ceiling was designed as a barrel vault, containing soffits with heavy coffers and cross-arches, and was painted white with gold decorations. At either end of the barrel vault were lunettes. The walls were painted salmon and had pairs of gray-marble pilasters supporting an entablature. The cross-arches had decorated cream-colored tympana. The lobby was originally several feet above street level, but it was lowered to street level in the 1980s. The rebuilt lobby contains geometric decorations evocative by the work of Charles Rennie Mackintosh, as well as Corinthian-style capitals with lighting fixtures. The design also includes ticket windows on the south wall of the lobby. Past that, stairs on either side lead to the auditorium's parquet level; previously, stairs continued straight from the lobby to the parquet level.
All but the top level can be reached by elevator; the top balcony is 137 steps above parquet level. The lowest level is the parquet level, which has twenty-five full rows of thirty-eight seats and four partial rows at stage level, for a total of 1,021 seats. The parquet was designed with eleven exits to a corridor that entirely surrounded it; the corridor, in turn, led to the main entrance vestibule on 57th Street. The first and second tiers consist of sixty-five boxes; the first tier has 264 seats, eight per box, and the second tier has 238 seats, six to eight per box. As designed, the first tier of boxes was entirely open, while the second tier was partially enclosed, with open boxes on either end. The third tier above the parquet is the Dress Circle, seating 444 in six rows; the first two rows form an almost-complete semicircle. The fourth and the highest tier, the balcony, seats 837. Although seats with obstructed views exist throughout the auditorium, only the Dress Circle level has structural columns. An elliptic arch rises from the Dress Circle level; along with a corresponding arch at the rear of the auditorium, it supports the ceiling.
The Ronald O. Perelman Stage is deep. It was originally designed with six tiers that could be raised and lowered hydraulically. The walls around the stage contain pilasters. The ceiling above the stage was designed as an ellipse, and the soffits of the ceiling were originally outfitted with lights. Originally, there were no stage wings; the backstage entrance from 56th Street led directly to a small landing just below the stage, while the dressing room was above the stage. During a 1980s renovation, a stage wing, orchestra room, and dressing rooms were added and the access to the stage was reconfigured.