CD-R


CD-R is a digital optical disc storage format. A CD-R disc is a compact disc that can only be written once and read arbitrarily many times.
CD-R discs are readable by most CD readers manufactured prior to the introduction of CD-R, unlike CD-RW discs.

History

Originally named CD Write-Once, the CD-R specification was first published in 1988 by Philips and Sony in the Orange Book, which consists of several parts that provide details of the CD-WO, CD-MO, and later CD-RW. The latest editions have abandoned the use of the term CD-WO in favor of CD-R, while CD-MO was rarely used. Written CD-Rs and CD-RWs are, in the aspect of low-level encoding and data format, fully compatible with the audio CD and data CD standards. The Yellow Book standard for CD-ROM only specifies a high-level data format and refers to the Red Book for all physical format and low-level code details, such as track pitch, linear bit density, and bitstream encoding. This means they use Eight-to-Fourteen Modulation, CIRC error correction, and, for CD-ROM, the third error correction layer defined in the Yellow Book.
Properly written CD-R discs on blanks of less than 80 minutes in length are fully compatible with the audio CD and CD-ROM standards in all details, including physical specifications. 80-minute CD-R discs marginally violate the Red Book physical format specifications, and longer discs are non-compliant. CD-RW discs have lower reflectivity than CD-R or pressed CDs, and for this reason cannot meet the Red Book standard. Some hardware compatible with Red Book CDs may have difficulty reading CD-Rs and, because of their lower reflectivity, especially CD-RWs. To the extent that CD hardware can read extended-length discs or CD-RW discs, it is because that hardware has capability beyond the minimum required by the Red Book and Yellow Book standards.
CD-R recording systems available in 1990 were similar to the washing machine-sized Meridian CD Publisher, based on the two-piece rack mount Yamaha PDS audio recorder costing $35,000, not including the required external ECC circuitry for data encoding, SCSI hard drive subsystem, and MS-DOS control computer.
On July 3, 1991, the first recording of a concert directly to CD was made using a Yamaha YPDR 601. The concert was performed by Claudio Baglioni at the Stadio Flaminio in Rome, Italy.
In the same year, the first company to successfully & professionally duplicate CD-R media was CDRM Recordable Media. With quality technical media being limited from Taiyo Yuden, Early CD-R Media used Phthalocyanine dye for duplication, which has a light aqua color. By 1992, the cost of typical recorders was down to $10,000–12,000, and in September 1995, Hewlett-Packard introduced its model 4020i manufactured by Philips, which, at $995, was the first recorder to cost less than $1000. As of the 2010s, devices capable of writing to CD-Rs and other types of writable CDs could be found for under $20.
The dye materials developed by Taiyo Yuden made it possible for CD-R discs to be compatible with Audio CD and CD-ROM discs.

Music CD-Rs

In the United States, there is a market separation between "music" CD-Rs and "data" CD-Rs, the former being notably more expensive than the latter due to industry copyright arrangements with the RIAA. Specifically, the price of every music CD-R includes a mandatory royalty disbursed to RIAA members by the disc manufacturer; this grants the disc an "application flag" indicating that the royalty has been paid. Consumer standalone music recorders refuse to burn CD-Rs that are missing this flag. Professional CD recorders are not subject to this restriction and can record music to discs with or without the flag. The two types of discs are functionally and physically identical other than this, and computer CD burners can record data and/or music to either. New music CD-Rs are still being manufactured as of the late 2010s, although demand for them has declined as CD-based music recorders have been supplanted by other devices incorporating the same or similar functionality.
The groove on the surface of a CD-R disc is not a perfect spiral and contains slight sinusoidal deviations called wobble. Frequency modulation is used to encode data into the wobble with a carrier frequency of 22.05 kHz. This method of storing information is called Absolute Time in Pregroove. Within the ATIP data is a 7-bit field called Disc Application Code containing bits U1 through U7. The first bit, U1, is used to determine if a CD-R is considered a "music" CD-R.

U1 bit values

Physical characteristics

A standard CD-R is a thick disc made of polycarbonate about 120 mm in diameter. The 120 mm disc has a storage capacity of 74 minutes of audio or 650 Megabytes of data. CD-R/RWs are available with capacities of 80 minutes of audio or 737,280,000 bytes, which they achieve by molding the disc at the tightest allowable tolerances specified in the Orange Book CD-R/CD-RW standards. The engineering margin that was reserved for manufacturing tolerance has been used for data capacity instead, leaving no tolerance for manufacturing; for these discs to be truly compliant with the Orange Book standard, the manufacturing process must be perfect.
Despite the foregoing, most CD-Rs on the market have an 80-minute capacity. There are also 90 minute/790 MB and 99 minute/870 MB discs, although they are less common and depart from the Orange Book standard. Due to the limitations of the data structures in the ATIP, 90 and 99-minute blanks will identify as 80-minute ones. As the ATIP is part of the Orange Book standard, its design does not support some nonstandard disc configurations. In order to use the additional capacity, these discs have to be burned using overburn options in the CD recording software. Overburning itself is so named because it is outside the written standards, but, due to market demand, it has nonetheless become a de facto standard function in most CD writing drives and software for them.
Some drives use special techniques, such as Plextor's GigaRec or Sanyo's HD-BURN, to write more data onto a given disc; these techniques are deviations from the compact disc standards, making the recorded discs proprietary-formatted and not fully compatible with standard CD players and drives. In certain applications where discs will not be distributed or exchanged outside a private group and will not be archived for a long time, a proprietary format may be an acceptable way to obtain greater capacity. The greatest risk in using such a proprietary data storage format, assuming that it works reliably as designed, is that it may be difficult or impossible to repair or replace the hardware used to read the media if it fails, is damaged, or is lost after its original vendor discontinues it.
Nothing in the Red, Yellow, or Orange Book standards prohibits disc reading/writing devices from having the capacity to read/write discs beyond the compact disc standards. The standards do require discs to meet precise requirements in order to be called compact discs, but the other discs may be called by other names; if this were not true, no DVD drive could legally bear the compact disc logo. While disc players and drives may have capabilities beyond the standards, enabling them to read and write nonstandard discs, there is no assurance, in the absence of explicit additional manufacturer specifications beyond normal compact disc logo certification, that any particular player or drive will perform beyond the standards at all or consistently. If the same device with no explicit performance specs beyond the compact disc logo initially handles nonstandard discs reliably, there is no assurance that it will not later stop doing so, and in that case, there is no assurance that it can be made to do so again by service or adjustment. Discs with capacities larger than 650 MB, and especially those larger than 700 MB, are less interchangeable among players/drives than standard discs and are not very suitable for archival use, as their readability on future equipment, or even on the same equipment at a future time, is not assured unless specifically tested and certified in that combination, even under the assumption that the discs will not degrade at all.
The polycarbonate disc contains a spiral groove, called the pregroove because it is molded in before data are written to the disc; it guides the laser beam upon writing and reading information. The pregroove is molded into the top side of the polycarbonate disc, where the pits and lands would be molded if it were a pressed, nonrecordable Red Book CD. The bottom side, which faces the laser beam in the player or drive, is flat and smooth. The polycarbonate disc is coated on the pregroove side with a very thin layer of organic dye. Then, on top of the dye is coated a thin, reflecting layer of silver, a silver alloy, or gold. Finally, a protective coating of a photo-polymerizable lacquer is applied on top of the metal reflector and cured with UV light.
A blank CD-R is not "empty"; the pregroove has a wobble, which helps the writing laser to stay on track and to write the data to the disc at a constant rate. Maintaining a constant rate is essential to ensure the proper size and spacing of the pits and lands burned into the dye layer. As well as providing timing information, the ATIP is also a data track containing information about the CD-R manufacturer, the dye used, and media information. The pregroove is not destroyed when the data are written to the CD-R, a point which some copy protection schemes use to distinguish copies from an original CD.

Dyes

There are three basic formulations of dye used in CD-Rs:
  1. Cyanine dye CD-Rs were the earliest ones developed, and their formulation is patented by Taiyo Yuden. CD-Rs based on this dye are mostly green in color. The earlier models were very chemically unstable and this made cyanine-based discs unsuitable for archival use; they could fade and become unreadable in a few years. Many manufacturers like Taiyo Yuden use proprietary chemical additives, typically a metal atom bonded to the cyanine molecule, to make more stable cyanine discs. Older cyanine dye-based CD-Rs, as well as all the hybrid dyes based on cyanine, are very sensitive to UV-rays and can become unreadable after only a few days if they were exposed to direct sunlight. Although the additives used have made cyanine more stable, it is still the most sensitive of the dyes in UV rays. A common mistake users make is to leave the CD-Rs with the "clear" surface upwards, in order to protect it from scratches, as this lets the sun hit the recording surface directly.
  2. Phthalocyanine dye CD-Rs are usually silver, gold, or light green. The patents on phthalocyanine CD-Rs are held by Mitsui and Ciba Specialty Chemicals. Phthalocyanine is a natively stable dye and CD-Rs based on this are often given a rated lifetime of hundreds of years. Unlike cyanine, phthalocyanine is more resistant to UV rays, and CD-Rs based on this dye show signs of degradation only after two weeks of direct sunlight exposure. However, phthalocyanine is more sensitive than cyanine to writing laser power calibration, meaning that the power level used by the writing laser has to be more accurately adjusted for the disc in order to get a good recording; this may erode the benefits of dye stability, as marginally written discs will lose data after less dye degradation than well-written discs.
  3. Azo dye CD-Rs are dark blue in color, and their formulation is patented by Mitsubishi Chemical Corporation. Azo dyes are also chemically stable, and Azo CD-Rs are typically rated with a lifetime of decades. Azo is the most resistant dye against UV light and begins to degrade only after the third or fourth week of direct sunlight exposure. More modern implementations of this kind of dye include Super Azo which is not as deep blue as the earlier Metal Azo. This change of composition was necessary in order to achieve higher writing speeds.
There are many hybrid variations of the dye formulations, such as Formazan by Kodak.
Many manufacturers have added additional coloring to disguise their unstable cyanine CD-Rs in the past, so the formulation of a disc cannot be determined based purely on its color. Similarly, a gold reflective layer does not guarantee the use of phthalocyanine dye. The quality of the disc is also not only dependent on the dye used, it is also influenced by sealing, the top layer, the reflective layer, and the polycarbonate. Simply choosing a disc based on its dye type may be problematic. Furthermore, correct power calibration of the laser in the writer, as well as correct timing of the laser pulses, stable disc speed, and so on, is critical to not only the immediate readability but the longevity of the recorded disc, so for archiving it is important to have not only a high-quality disc but a high-quality writer. In fact, a high-quality writer may produce adequate results with medium-quality media, but high-quality media cannot compensate for a mediocre writer, and discs written by such a writer cannot achieve their maximum potential archival lifetime.