Breakbeat hardcore
Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.
History
Early 1990s: origins
The rave scene expanded rapidly in the early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 10–25,000 whether put on legally from promoters such as Fantazia, Dreamscape, and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. These events featured the popular rave DJs such as Fabio and Grooverider, Carl Cox, Top Buzz, and Slipmatt, as well as live PAs from rave acts including Shades of Rhythm and Bizarre Inc. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – from new beat and Belgian techno that had for a short period been prominent in the UK rave scene, to house and acid house, and furthermore drawing on hip hop and reggae culture.Amongst the influences from within the rave scene itself upon which this strain of hardcore drew were such acts as Manix, The Hypnotist, Ravesignal, and T99. From outside of the rave scene, the sped-up breakbeats of UK rap acts such as Hardnoise, MC Duke, Demon Boyz, and Hijack were highly influential, with some of these including Duke, The Criminal Minds, and Liam Howlett, making the transition into hardcore. Pioneering the fusion of sounds from acid house, hip hop, and reggae were late 1980s UK hip house veterans like Double Trouble and Rebel MC, Blapps Posse, and Shut Up and Dance, becoming pivotal contributors to hardcore and its derivative genres like jungle.
The huge increase in producers was also driven by the increasing availability of cheap home computer-based studio setups, particularly Cubase for the Atari ST.