Basil Al Bayati
Basil Al Bayati is an Iraqi-born architect and designer who has lived and practiced for the most part in Europe, in particular, London and who Neil Bingham, in his book 100 Years of Architectural Drawing: 1900–2000, has described as "an architect in whom East meets West." Al Bayati is considered to be one of the most important names in metaphoric architecture, an area he was at the forefront of pioneering, which uses analogy and metaphor as a basis for architectural inspiration as well as the "exploration of geometric and design patterns found in nature".
He is also the inventor of what he termed "the mechanism of the wasitah " a geometric feedback mechanism for generating form and a method he himself often uses in the design process.
Throughout his almost 50 years working in the field of architecture, he has also designed furniture and artistic pieces for the household using such varied techniques as metalwork, inlay, glass and ceramic work and stonework as well as authoring nine books, principally on architecture but also fantasy/fiction and autobiography.
"His work is manifested in plans and publications that express an exuberance for visual forms rare in the Arab world today…… His projects encompass a wide variety of architectural possibilities and transcend generally accepted patterns……. In all of his buildings an organic obsession with flower forms and old Islamic symbolism has been merged into a fantastic alternative architecture for the future."
He currently resides in Málaga in the South of Spain where he runs a successful architectural practice and cultural centre as well as continuing his writing.
Early life and education
Basil Al Bayati was born on 13 May 1946 in the neighbourhood of Adhamiyah in Baghdad, the sixth of ten children.He began his architectural studies in the Faculty of Architecture at the College of Engineering, University of Baghdad, under the guidance of Dr. Mohamed Makiya.
Soon afterwards he became a member of the Iraqi Engineering Union, the Society of Iraqi Architects and the Society of Kuwaiti Engineers.
In 1970 he moved to London to continue his studies and once there, was granted a British Council Scholarship to attend University College London, School of Environmental Studies, Development Planning Unit, studying under Professor Patrick Wakely before attending the Architectural Association School of Architecture, where he worked with Paul Oliver, Geoffrey Broadbent and John Chris Jones.
At the A.A he received a diploma in the post-graduate course of ‘Design Method and Creative Process’. From here he continued his research into the psychology of creativity with Andrew Szmidla and spent a year researching structural engineering with Paul Regan before acquiring a BSc in Professional Practice from the Polytechnic of Central London in 1978. Later that same year he was registered with the Architects Registration Board and in 1980 he was elected into corporate membership of the Royal Institute of British Architects. In 1981 he became a Fellow of the Faculty of Building, in 1982 was elected member of the Incorporated Association of Architects and Surveyors, IAAS as well as the British Institute of Interior Design.
In 1986, he was awarded the title of Doctor of Philosophy from University of London, School of Oriental and African Studies for his studies into Islamic architecture.
Having completed his doctorate, Al Bayati spent time travelling and studying various types of indigenous architecture around the world, in particular in India, China and the Near and Middle East and on his return he was elected a Fellow of the Royal Geographical Society as well as the Royal Asiatic Society, the British Society for Middle Eastern Studies, and the Society for Moroccan Studies.
Career
Having graduated from the University of Baghdad, he opened his first practice, Basil Al Bayati & Partners, which he opened in Baghdad with a branch in Basra.In 1970 he moved to London to continue his studies and whilst studying, worked in a number of architectural practices before becoming the Middle East Consultant at Fitzroy Robinson & Partners. Here, in the mid-70s, he worked on a project to redevelop the White City Stadium, as well as a Liverpool Street/Broad Street redevelopment comprising a railway terminal, shops, offices, hotel and civic amenities.
In the late 70s he opened his first practice in London, Basil Al Bayati Architect, at 9 Montpellier Street, opposite Harrods, in Knightsbridge, London.
In 1983, he moved his offices to an old mill that he had restored and renovated on Miller's Way in Shepherd's Bush. This became for him the busiest time in his career so far and was a highly creative period for him, designing and renovating buildings in both London as well as throughout the Middle East. Much of his work at this time was also published in several books, the most notable being 'Basil Al Bayati: Architect' and 'Basil Al Bayati: Recent Works', the results of a fruitful relationship with Andreas Papadakis, of Academy Editions.
In 2003, he relocated his offices to what was already his private studio at St. Paul's Studios, 141 Talgarth Road – in one of the famous artist studios designed by Frederick Wheeler in 1890.
In 2008, he moved to Málaga in Spain. There he acquired a five-storey listed building at Calle Marques de Guadiaro 3, designed by Jerónimo Cuervo, the Spanish architect responsible for a number of Málaga's most iconic buildings. Shortly afterwards, work began on the full renovation of the building into an architectural centre, as well as the centre for his on-going architectural practice.
According to Jim Antoniou, "he has created an architecture based on stark symbols and historical notions which utilise geometric patterns ranging from square courtyards to domed ziggurats; reproduced objects in exaggerated size, from open books to tall palm trees; and explored technology from giant balloons to Islamic space shuttles. In undertaking all these projects, Al-Bayati has shown an ability to translate the significance of symbols into dynamic and workable buildings, while retaining the simplicity of his original concept. This is partly because his work is based on thoughtful research, and partly because he is able to give shape and form to what are essentially simplistic notions. He is thus able to create architecture with all the inherent qualities and perceptions of workable buildings. For although his buildings are based on simple concepts and often presented on an exaggerated scale, his attention to detail allows builders to remain not too distant from his unusual designs."
Notable works
Great Mosque of Edinburgh, 1987
Al Bayati is known in particular for the Great Mosque of Edinburgh, also known as the Edinburgh Central Mosque of which, Geza Fehervari, Professor of Islamic Art & Archaeology at London University, has said "The architectural elements and decorative details, while basically relying on Islamic, mainly Turkish traditions, successfully interact with the architectural and decorative age-old customs of Scotland.""Al-Bayati’s detailed scheme will combine the calligraphic texts of mosque architecture with a chequered motif subtly derived from plaid-tartan."
The Palm Mosque, (Jama’a Al-Nakheel) King Saud University, Riyadh, 1984.
In 1982, Al Bayati won the 1st prize in the King Saud Competition to build the main mosque for the university. His design incorporated extensively the motif of the palm trunk, as used in the very first Mosque of the Prophet in Medina. It was highly praised and was even claimed to "mark the beginning of a new era, a new revival in Islamic architecture."The interior calligraphy above the doors and in the mihrab was done by Ghani Alani, the last of the Baghdad School of Calligraphy. He was a student of Hashem al-Khattat. Ghani Alani taught Dr. Bayati whilst at the College of Engineering in Baghdad. The building was also nominated for the 1992 Aga Khan Award for Architecture.
King Saud University Entrance Gate, (Faith & Knowledge), Riyadh
Dr. Bayati's design for the entrance gates to the King Saud University is based upon the theme of faith and knowledge; two pillars of Islam that must be taken together, "Knowledge cannot do without faith nor can faith ignore knowledge for Islam calls always for faith and knowledge to run in parallel.""The design consists of two books representing knowledge and faith. They have been so placed so that their pages are interlocked thus showing the close connection between faith and knowledge. Verses from the Quran on faith and knowledge are written in beautiful script on the cover of each book."
Church Island House, Staines, 1987
Church Island House was a building commissioned by the publisher of Academy Editions and Architectural Design magazine, Andreas Papadakis."For his luxury mansion on his Greek-island-in-the-Thames, the great man chose not Michael Graves, one of the deconstructivists or even CZWG, but pragmatic classicist Basil Al Bayati, whom he instructed to design a country house in the English turn-of-the-century manner." The plan of the house is based on multiple units of structural geometrical forms and utilises extensive brickwork in a postmodern, art & craft style. It was "designed in a vernacular manner, using building materials similar to those traditionally used in the area."
In 1988, Church Island House was exhibited at the German Architecture Museum in Frankfurt in an exhibition titled The Architecture of Pluralism that included work by James Gowan, Terry Farrell, Charles Jencks and some twenty other internationally recognised architects.
Hyde Park Gate Mews, London, 1990
This building reflects the more classical side of Al Bayati's architecture and is a four-storey post-modern classical townhouse in the heart of Kensington. Architectural Design magazine wrote of him and this work:"He is steeped in the history of Islamic architecture, and deeply inspired by Persian tomb-towers, Cairo Mosques, Moghul palaces etc. He is also, however, motivated by Western Classicism, in for example his project for Park Gate, London, drawn from the Classical ordering system of proportion, as well as the use of columns and mansard roofs."
The building can be seen as part of The Decorative Arts Society architectural walk – A Walk Around and About ‘Albertopolis’.