National Film and Sound Archive


The National Film and Sound Archive of Australia, based in Canberra and known as ScreenSound Australia from 1999 to 2004, is Australia's audiovisual archive, responsible for developing, preserving, maintaining, promoting, and providing access to a national collection of film, television, sound, radio, video games, new media, and related documents and artefacts. The collection ranges from works created in the late nineteenth century when the recorded sound and film industries were in their infancy, to those made in the present day.
The NFSA collection first started as the National Historical Film and Speaking Record Library in 1935, becoming an independent cultural organisation in 1984. On 3 October, Prime Minister Bob Hawke officially opened the NFSA's headquarters in Canberra.

History of the organisation

The work of the archive can be officially dated to the establishment of the National Historical Film and Speaking Record Library by a Cabinet decision on 11 December 1935. It was continued post-War by the Library's Film Division.
After being part of the National Library of Australia and its predecessors for nearly 50 years, the National Film and Sound Archive was created as a separate Commonwealth collecting institution through an announcement in Parliament on 5 April 1984 that took immediate effect. At that time, an Advisory Committee was established to guide the institution.
In 1999, the name was changed to ScreenSound Australia, and changed again in early 2000 to ScreenSound Australia, National Screen and Sound Archive. It reverted to its original name, National Film and Sound Archive, in December 2004.
In 2000, Screensound joined the PANDORA Archive, the web archiving project started by the NLA in 1996, as a collaborating partner.
Meanwhile, consequent on amendments to the Australian Film Commission Act which took effect on 1 July 2003 under the Howard government, it ceased to be a semi-autonomous entity within the Department of Communications, Information Technology and the Arts and became an integrated branch, later a division, of the Australian Film Commission, a funding and promotional body. The Archive Forum, of which filmmaker Martha Ansara was a founding member and Chris Puplick the chair, lobbied for the establishment of the NFSA as a statutory body from this date.
In 2007, the Liberal government announced the creation of a new agency to be called Screen Australia, which would incorporate the main functions of the Film Finance Corporation, the Australian Film Commission, and Film Australia.
Following elections in November 2007, the new Labor government implemented an election promise to allow the NFSA to become a statutory authority, similar to other major cultural institutions, including the National Library of Australia, the National Gallery of Australia and the National Museum of Australia. The National Film and Sound Archive Act 2008 became law on 20 March 2008 and came into effect on 1 July 2008, with celebrations held that day.

Inaugural board

The archive's first board as a statutory authority comprised:
  • Chris Puplick AM
  • Deb Verhoeven
  • Jill Matthews
  • Grace Koch
  • Catherine Robinson
  • Andrew Pike OAM
  • Philip Mortlock

    History of the building

The building to which the Archive moved in 1984 was the home of the Australian Institute of Anatomy from 1931 to 1984. Originally it held the anatomy collection of Sir Colin MacKenzie.
The building is often classified as art deco, though its overall architectural style is technically "Late 20th Century Stripped Classical", the style of ancient Greece and Rome but simplified and modernised. It features a symmetrical façade, a horizontal skyline, classical columns and a central entrance. The decorative foyer features images of native flora, fauna and Aboriginal art and motifs. Face masks of well-known scientists from the late 19th century and early 20th century are featured on the foyer's walls as a reminder of its previous incarnation as the Institute of Anatomy.
The building also features a landscaped courtyard and theatre. In 1999, the building was extended to accommodate the Archive's growth. The new wing's design is in keeping with the Art Deco style of the main structure with details and finishes to match the original look.
In 2024, the NFSA won the Architecture and Building Conservation Award in the ACT Heritage Awards for the renewal of the building.

Governance and people

Board

NFSA is governed by a board, as a statutory body. the board members are:
  • Annette Shun Wah
  • Lucinda Brogden (deputy chair
  • Kylie Bracknell
  • Karina Carvalho
  • Sachin Job
  • Jaclyn Lee-Joe
  • Carol Lilley
  • Joe Thorp

    Management

Day-to-day management and strategic planning is performed by the CEO. Past and present CEOs include:
The NFSA collection includes more than four million items, encompassing sound recordings, radio, television, film, video games and new media. In addition to discs, films, videos, audio tapes, phonograph cylinders and wire recordings, the collection includes supporting documents and artefacts, such as personal papers and organisational records, photographs, posters, lobby cards, publicity, scripts, costumes, props, memorabilia, and sound, video and film equipment.
Notable holdings include:
A 2010 study compared the curatorial practices of accessioning and cataloging for NFSA collections and for YouTube with regard to access to older Australian television programs. It found the NFSA to be stronger in current affairs and older programs, and YouTube stronger in game shows, lifestyle programs, and "human interest" material. YouTube cataloging was found to have fewer broken links than the NFSA collection, and YouTube metadata could be searched more intuitively. The NFSA was found to generally provide more useful reference information about production and broadcast dates.

NFSA Player

In June 2023 the NFSA launched the NFSA Player, a new digital streaming platform for on-demand content. The first content collection, Buwindja, was a curated selection of 17 titles reflecting the 2023 NAIDOC theme of For Our Elders.  
In July 2024, NFSA Player made another 34 titles available for rent, including true crime and mystery, stories of postwar migration and early films from notable Australian artists and directors.

Video Games

The NFSA announced plans to collect Australian-developed video games as part of its collection starting in 2019, with new titles to be added on an annual basis.
In 2022 it joined with ACMI and The Powerhouse to acquire the hit multi-platform video game Untitled Goose Game, created by Victorian game developers House House.
In 2024, the NFSA published the first international video game preservation survey, in collaboration with The Strong Museum of Play   and with the support of the BFI National Archive, and called for increased international collaboration and recognition to advocate for the needs of the video game preservation community.

Public Program

The NFSA runs a public program from its Acton building, including new release and repertory cinema screenings at , panel discussions and Q&As, conferences, audiovisual installations, festivals and live music.
Free public spaces include The Library, restored in 2024 to house more than 280 items drawn from the full expanse of the National Film and Sound Archive collection, the Mediatheque, a lounge screening highlights from the audiovisual archive, and the Theatrette, which shows free documentaries on rotation.

Partnerships

The NFSA is a foundation partner of Sustainable Screens Australia and a founding member of the Australian Media Literacy Alliance.

2023 Budget Funding / Revive

In April 2023, the Australian Government announced an investment of $535 million over four years into eight National Collecting Institutions, including $31 million over the same period for NFSA. The CEO of the NFSA Patrick McIntyre said “The new funds will turbocharge our ability to increase discoverability and access to the national collection for all Australians.”

Fantastic Futures

In October 2024, the NFSA curated and hosted the Fantastic Futures 24 Conference, the first in-depth Australasian examination of the challenges and opportunities of AI for the galleries, libraries, archives and museums sector.

Learning and Media Literacy

The NFSA runs a student media literacy program, Media and Me onsite at its Acton headquarters, which examines storytelling through animation, advertising, gaming, social media, film and music and explores how media has evolved over time in its methods of influencing and persuading viewers.