Anne Cornwall
Anne Cornwall was an American dancer, singer, and actress whose career on stage and in motion pictures spanned over four decades, from her early work as a "chorus girl" in musical theatre in New York City in 1916 to her screen performances in starring roles, as supporting characters, and in bit parts from 1918 to 1960. Cornwall's credited and uncredited film appearances total no less than 72 productions, the great majority being released prior to 1930. A few examples of her work in silent dramas are The Firing Line, The Girl in the Rain, and The Wrongdoers. Cornwall was equally successful in comedies. Starring in a series of popular "Christie Comedies" in the mid-1920s, she was recognized in film-industry publications at the time as "One of the leading comediennes of two-reel comedies". That reputation led to her later being cast as Buster Keaton's girlfriend in the feature College and with Laurel and Hardy in their Hal Roach short Men O' War.
Early life
Anna Reardon was born in Brooklyn, New York, in 1897, the only child of Eleanor from Scotland and John Reardon, a native of Pennsylvania. Three years after Anna's birth, the United States census of 1900 documents that only her mother and she were living together as boarders in the home of Emma A. Webb on Lexington Avenue in Brooklyn. In that same federal census, Eleanor identifies herself as still married but that her husband's whereabouts are noted as "Unknown". Eleanor by 1905 had departed Brooklyn with eight-year-old Anna and relocated 130 miles north to Catskill, New York, where they resided again as boarders in the household of the James Becker family at 68 Williams Street. There Eleanor worked as the Beckers' "servant", likely in exchange for reduced boarding costs. Soon, however, the Reardons' living arrangements changed when in 1906 Eleanor married Alfred Hand Cornwall, a longtime resident of Catskill and a plumber by trade.Additional details about Anna's later childhood and teenage years growing up in Catskill can be gleaned from references to her in period film-industry publications and newspapers. With regard to her formal schooling, the 1921 edition of the Motion Picture Studio Directory and Trade Annual states only that she was educated in "Catskill, N.Y." That information is confirmed by a 1916 notice in Catskill's newspaper, The Examiner, which includes "Anna Cornwall" in the local high school's graduation roster of 28 students.
Stage experience
Some insight into Cornwall's stage career prior to her transition to motion pictures is provided in comments about her found in trade magazines published between 1918 and 1921. According to those sources, Anna—later "Anne"—had "learned toe dancing" in Catskill before venturing to New York City at the age of 19 to try auditioning for musical theatre. Universal Pictures' company magazine The Moving Picture Weekly in its July 26, 1920 issue also identifies the specific Broadway theatre where she made her "first public appearance on the stage", in the small Princess Theatre on West 39th Street in Manhattan. The Weekly in that same issue states that Cornwall initially danced and sang in the chorus line at the Princess, in "those exquisite musical comedies for which that playhouse is famous", adding "it was not long before she was leading a number and doing a sole dance." Providing some additional information about Cornwall's pre-film career, the New York monthly Motion Picture Classic in its October 1920 issue summarizes her two seasons performing in musical theatre on Broadway and touches on what motivated her to move from stage to screen:Film
The earliest references to "Anne Cornwall" in film-industry publications date from January 1918. Some of those references can be found in the widely read Chicago-based film journal Motography and its New York counterpart Motion Picture News. The January 5 issue of Motography includes her name in an announcement that Select Pictures was developing a new film starring Alice Brady, one based on the 1917 Broadway play The Knife. Motion Picture News also mentions Cornwall among the production's supporting players, and in an update on January 12 reports that the cast, including the fledgling actress, was already filming The Knife's interior scenes at Select's 56th Street Studio in Manhattan.The remainder of 1918 and 1919 brought more screen roles to Cornwall, two of which were in additional films starring Alice Brady, In the Hollow of Her Hand and The Indestructible Wife. Anne also garnered more industry attention and public notice for her appearance in an uncredited but "prominent" role in the romantic fantasy film Prunella, as the bride in The World To Live In, and as Cecile in The Firing Line. Another part she played at that time was a "fisherwoman" in Quest of the Big 'Un, a one-reel "scenic comedy" released by Educational Pictures in August 1918 on the various techniques and skills required to fish successfully in rivers and creeks. Shot on location in Catskill, New York, and directed by Cornwall's future husband Charles Maigne, the actress portrayed a "charming young lady" and demonstrated on screen her real-life expertise in fly-fishing for trout, a sport Anne had enjoyed since her youth and growing up in Catskill.
Following Cornwall's initial work in short films and features, she began receiving more substantial roles. The next decade proved to be the most active and successful period of her motion-picture career as she worked for a variety of studios. In addition to Select Pictures and Universal, she would be cast in productions by Artcraft Pictures, First National, Warner Bros., RKO, Fox, Christie Film Company, Educational Pictures, Paramount, United Artists, Gotham Pictures, Hal Roach Studios, Pathé, and by several small film companies represented by Associated Exhibitors.
''The Girl in the Rain''
Cornwall in 1920 received additional positive reviews as a "weepy" supporting character in The Copperhead starring Lionel Barrymore. The director of that production was once again Charles Maigne, whom Cornwall would marry the next year. After that project with Paramount, she was cast in her first leading role in Universal's melodrama The Path She Chose, a story about a plucky "handicapped lass". The Moving Picture World in its review of her performance wrote, "Anne Cornwall has an intelligent conception of the part she plays and is exceptionally well cast in the role of a young woman reared in a home of unsound principles who struck out for herself." But in the opinion of Motion Picture Classic, it was the actress's casting in two other films in 1920 that significantly elevated her status with studio executives and reviewers, as well her popularity with theatergoers. One was the previously mentioned film The Copperhead; the other was The Girl in the Rain in which Cornwall co-starred with Lloyd Bacon:For her portrayal of Judith in The Girl in the Rain, Cornwall received even more coverage in trade journals and newspapers. She next played the title character in La La Lucille. That elaborate five-reeler, released in July 1920, had a storyline based on another Broadway musical comedy with the same title. Unfortunately, today no copies of either La La Lucille or The Girl in the Rain have been found. Both motion pictures are therefore classified as "lost" by the Library of Congress.
1921 to 1931
Cornwall took a year-long break from working in films after marrying Charles Maigne in February 1921. Her available filmographies confirm that hiatus from acting, showing no known 1921 releases in which she performed. Early in this pause in her career, perhaps to help maintain her profile in the industry, Cornwall posed for a full-body portrait by renowned Hungarian-born photographer Nickolas Muray. Muray's image depicts the "pretty motion picture favorite" tightly wrapped in sheer fabric. The photograph—one quite risqué for its time—is featured in the May 1921 issue of Shadowland, a high-end New York monthly dedicated to showcasing people working in theatre, film, and the fine arts.The 1924 edition of Stars of the Photoplay states that Cornwall's absence from acting was longer than one year, noting then that "She has been away from the screen for several years, but is steadily winning her way back into the hearts of the fans." Contrary to that publication's statement, the actress definitely returned to work on movie sets by early 1922, not "several years" later. She played Betty Alden, a major supporting character in First National's romantic drama The Seventh Day, which premiered on February 6 that year. She was also cast in at least two additional Paramount films in 1922, playing the "invalid sister" in support of Gloria Swanson in Her Gilded Cage, released in April, and as Lady Jane Carr in To Have and to Hold, released in October.
"One of the leading comediennes of two-reel comedies"
Between 1923 and 1931, Cornwall continued to secure starring roles and important secondary parts in assorted genres such as crime dramas, action-packed Westerns, and slapstick comedies. She was cast in at least 32 more "photoplays" during this period. In 1925 she worked once more with Lionel Barrymore, although this time as his co-star in the crime drama The Wrongdoers. She performed again too as Universal's "dainty piece of femininity" and romantic lead opposite cowboy star Hoot Gibson in The Flaming Frontier. Cornwall also starred in at least nine "Christie Comedy" shorts, establishing herself by the mid-1920s as "One of the leading comediennes of two-reel comedies". Christie Film Company in its press sheets for her 1926 short Cool Off! declares, "Miss Cornwall…proves that she can bring as many laughs as her male brother players who have so long practically monopolized screen comedies."A few other titles of Cornwall's Christie shorts are Bright Lights, available for viewing on the streaming service YouTube; French Pastry ; and Chicken Feathers, which is a release that film historian James Roots includes as an entry in his 2017 book 100 Essential Silent Film Comedies. Her considerable experience working for Christie led to Cornwall being cast in other productions with top talents in Hollywood comedies. She subsequently played Buster Keaton's girlfriend in the feature College and one of Laurel and Hardy's chance encounters in the short Men O' War, the latter being the actress's first confirmed performance in a sound film.
Three other early pre-Code "talkies" in which Cornwall performed are Warner's eight-minute "bedroom farce" The Baby Bandit, First National's crime drama The Widow from Chicago, and RKO's High Stakes in which she is credited in reviews playing Karen Morley, a central supporting character caught up in a love triangle. Cornwall during this time was also returning periodically to perform on stage. One example was in March 1929, when The Washington Times in D.C. reported in its Hollywood updates that "the petite ficker-ite" was performing as "the heroine" in a rendition of the 1923 play Broadway at the Vine Street Theatre in Los Angeles, along with fellow cast members Franklin Pangborn, James Crane, and Isabel Withers. Another example occurred the following year. The entertainment newspaper Variety announced in its January 29, 1930 issue that Cornwall had recently made her debut at the Dufwin Theatre in Oakland, California, starring in another revival of a 1923 Broadway production, Give and Take.