Fred Rogers
Fred McFeely Rogers, known professionally as Mister Rogers, was an American television personality, Presbyterian minister, and author. He was the creator, showrunner, and host of the preschool television series Mister Rogers' Neighborhood, which ran from 1968 to 2001.
Born in Latrobe, Pennsylvania, Rogers earned a bachelor's degree in music from Rollins College in 1951. He began his television career at NBC in New York City, returning to Pittsburgh in 1953 to work for children's programming at NET television station WQED. He graduated from Pittsburgh Theological Seminary with a bachelor's degree in divinity in 1962 and became a Presbyterian minister in 1963. He attended the University of Pittsburgh's Graduate School of Child Development, where he began his thirty-year collaboration with child psychologist Margaret McFarland. He also helped develop the children's shows The Children's Corner for WQED in Pittsburgh and Misterogers in Canada for the Canadian Broadcasting Corporation. In 1968, he returned to Pittsburgh and adapted the format of his Canadian series to create Mister Rogers' Neighborhood. It ran for 33 years and was critically acclaimed for focusing on children's emotional and physical concerns, such as death, sibling rivalry, school enrollment, and divorce.
Rogers died of stomach cancer in 2003, aged 74. His work in children's television has been widely lauded, and he received more than forty honorary degrees and several awards, including a Lifetime Achievement Emmy in 1997 and the Presidential Medal of Freedom in 2002. He was inducted into the Television Hall of Fame in 1999. Rogers influenced many writers and producers of children's television shows, and his broadcasts provided comfort during tragic events, even after his death.
Early life
Rogers was born in 1928, at 705 Main Street in Latrobe, Pennsylvania. His father, James Hillis Rogers, was "a very successful businessman" who was president of the McFeely Brick Company, one of Latrobe's most prominent businesses and founded in 1900. His mother, Nancy, knitted sweaters for American soldiers from western Pennsylvania who were fighting in Europe and regularly volunteered at the Latrobe Hospital. Initially dreaming of becoming a doctor, she settled for a life of hospital volunteer work. Her father, Fred Brooks McFeely, after whom Rogers was named, was an entrepreneur.Rogers grew up in a large three-story brick house at 737 Weldon Street in Latrobe. He had a sister, Elaine, whom the Rogerses adopted when he was eleven years old. Rogers spent much of his childhood alone, playing with puppets, and spending time with his grandfather. He began playing the piano when he was five.
Rogers had a difficult childhood. Shy, introverted, and overweight, he was frequently homebound after suffering bouts of asthma. He was bullied as a child for his weight and called "Fat Freddy". According to Morgan Neville, director of the 2018 documentary Won't You Be My Neighbor?, Rogers had a "lonely childhood... I think he made friends with himself as much as he could. He had a ventriloquist dummy, he had animals, and he would create his own worlds in his childhood bedroom".
Rogers attended Latrobe High School, where he overcame his shyness. "It was tough for me at the beginning," Rogers told NPR's Terry Gross in 1984, "and then I made a couple friends who found out that the core of me was okay. And one of them was... the head of the football team". Rogers became president of the student council, a member of the National Honor Society, and editor-in-chief of the school yearbook. He registered for the draft in Greensburg, Pennsylvania, in 1948 at age 20, where he was classified 1-A ; however, his status was changed to unqualified for military service following an Armed Forces physical on October 12, 1950. He attended Dartmouth College for one year before transferring to Rollins College, where he graduated magna cum laude in 1951 with a Bachelor of Music.
He then attended Pittsburgh Theological Seminary, from which he graduated magna cum laude in 1962 with a Bachelor of Divinity, and was ordained a Presbyterian minister by the Pittsburgh Presbytery of the United Presbyterian Church in 1963. His work as an ordained minister, rather than pastoring a church, was ministering to children and their families through television. He regularly appeared before church officials to maintain his ordination.
Career
Early work
Rogers wanted to enter seminary after college, but instead chose to go into the nascent medium of television after experiencing TV at his parents' home in 1951, during his senior year at Rollins College. In a CNN interview, he said, "I went into television because I hated it so, and I thought there's some way of using this fabulous instrument to nurture those who would watch and listen". After graduating in 1951, he worked at NBC in New York City as floor director of Your Hit Parade, The Kate Smith Hour, and Gabby Hayes's children's show, and as an assistant producer of The Voice of Firestone.In 1953, Rogers returned to Pittsburgh to work as a program developer at public television station WQED. Josie Carey worked with him to develop the children's show The Children's Corner, which Carey hosted. Rogers worked off-camera to develop puppets, characters, and music for the show. He used many puppet characters developed during this time, such as Daniel the Striped Tiger, King Friday XIII, Queen Sara Saturday, X the Owl, Henrietta, and Lady Elaine, in his later work. Children's television entertainer Ernie Coombs was an assistant puppeteer. The Children's Corner won a Sylvania Award for best locally produced children's programming in 1955 and was broadcast nationally on NBC. While working on the show, Rogers attended Pittsburgh Theological Seminary and was ordained a Presbyterian minister in 1963. He also attended the University of Pittsburgh's Graduate School of Child Development, where he began working with child psychologist Margaret McFarland—who, according to Rogers' biographer Maxwell King, became his "key advisor and collaborator" and "child-education guru". Much of Rogers' "thinking about and appreciation for children was shaped and informed" by McFarland. She was his consultant for most of Mister Rogers' Neighborhoods scripts and songs for 30 years.
In 1963, the Canadian Broadcasting Corporation in Toronto contracted Rogers to come develop and host the 15-minute black-and-white children's program Misterogers; it lasted from 1963 to 1967. It was the first time Rogers appeared on camera. CBC's children's programming head Fred Rainsberry insisted on it, telling Rogers, "Fred, I've seen you talk with kids. Let's put you yourself on the air". Coombs joined Rogers in Toronto as an assistant puppeteer. Rogers also worked with Coombs on the children's show Butternut Square from 1964 to 1967. Rogers acquired the rights to Misterogers in 1967 and returned to Pittsburgh with his wife, two young sons, and the sets he developed, despite a potentially promising career with CBC and no job prospects in Pittsburgh. On Rogers' recommendation, Coombs remained in Toronto and became Rogers' Canadian equivalent of an iconic television personality, creating the children's program Mr. Dressup, which ran from 1967 to 1996. Rogers' work for CBC "helped shape and develop the concept and style of his later program for the Public Broadcasting Service in the U.S."
''Mister Rogers' Neighborhood''
Mister Rogers' Neighborhood, a half-hour educational children's program starring Rogers, began airing nationally in 1968 and ran for 895 episodes. It was videotaped at WQED in Pittsburgh and broadcast by National Educational Television, which later became the Public Broadcasting Service. Its first season had 180 black-and-white episodes. Each subsequent season, filmed in color and funded by PBS, the Sears-Roebuck Foundation, and other charities, consisted of 65 episodes. By the time it ended production in December 2000, its average rating was about 0.7% of television households or 680,000 homes, and it aired on 384 PBS stations. At its peak in 1985–1986, its ratings were 2.1%, or 1.8 million homes. The last original episode aired in 2001, but PBS continued to air reruns, and by 2016 it was the third-longest-running program in PBS history.Many of the sets and props in Mister Rogers' Neighborhood, like the trolley, the sneakers, and the castle, were created for Rogers' show in Toronto by CBC designers and producers. The program also "incorporated most of the highly imaginative elements that later became famous", such as its slow pace and its host's quiet manner. The format of Mister Rogers' Neighborhood "remained virtually unchanged" for the entire run of the program. Every episode begins with a camera's-eye view of a model of a neighborhood, then panning in closer to a representation of a house while a piano instrumental of the theme song, "Won't You be My Neighbor?", performed by music director Johnny Costa and inspired by a Beethoven sonata, is played. The camera zooms in to a model representing Mr. Rogers' house, then cuts to the house's interior and pans across the room to the front door, which Rogers opens as he sings the theme song to greet his visitors while changing his suit jacket to a cardigan and his dress shoes to sneakers, "complete with a shoe tossed from one hand to another". The episode's theme is introduced, and Mr. Rogers leaves his home to visit another location, the camera panning back to the neighborhood model and zooming in to the new location as he enters it. Once this segment ends, Mr. Rogers leaves and returns to his home, indicating that it is time to visit the Neighborhood of Make-Believe. Mr. Rogers proceeds to the window seat by the trolley track and sets up the action there as the Trolley comes out. The camera follows it down a tunnel in the back wall of the house as it enters the Neighborhood of Make-Believe. The stories and lessons take place over a week's worth of episodes and involve puppets and human characters. The end of the visit occurs when the Trolley returns to the same tunnel from which it emerged, reappearing in Mr. Rogers' home. He then talks to the viewers before concluding the episode. He often feeds his fish, cleans up any props he has used, and returns to the front room, where he sings the closing song while changing back into his dress shoes and jacket. He exits the front door as he ends the song, and the camera zooms out of his home and pans across the neighborhood model as the episode ends.
Mister Rogers' Neighborhood emphasized young children's social and emotional needs, and unlike another PBS show, Sesame Street, which premiered in 1969, did not focus on cognitive learning. Writer Kathy Merlock Jackson said, "While both shows target the same preschool audience and prepare children for kindergarten, Sesame Street concentrates on school-readiness skills while Mister Rogers Neighborhood focuses on the child's developing psyche and feelings and sense of moral and ethical reasoning". The Neighborhood also spent fewer resources on research than Sesame Street, but Rogers used early childhood education concepts taught by his mentor Margaret McFarland, Benjamin Spock, Erik Erikson, and T. Berry Brazelton in his lessons. As The Washington Post noted, Rogers taught young children about civility, tolerance, sharing, and self-worth "in a reassuring tone and leisurely cadence". He tackled difficult topics such as the death of a family pet, sibling rivalry, the addition of a newborn into a family, moving and enrolling in a new school, and divorce. For example, he wrote a special segment that dealt with the assassination of Robert F. Kennedy that aired on June 7, 1968, two days after the assassination occurred.
According to King, the process of putting each episode of Mister Rogers' Neighborhood together was "painstaking" and Rogers' contribution to the program was "astounding". Rogers wrote and edited all the episodes, played the piano and sang for most of the songs, wrote 200 songs and 13 operas, created all the characters, played most of the significant puppet roles, hosted every episode, and produced and approved every detail of the program. The puppets created for the Neighborhood of Make-Believe "included an extraordinary variety of personalities". They were simple puppets but "complex, complicated, and utterly honest beings". In 1971, Rogers formed Family Communications, Inc., to produce the Neighborhood, other programs, and non-broadcast materials.
In 1975, Rogers stopped producing Mr. Rogers' Neighborhood to focus on adult programming. Reruns of the Neighborhood continued to air on PBS. King reports that the decision caught many of his coworkers and supporters "off guard". Rogers continued to confer with McFarland about child development and early childhood education, however. In 1979, after an almost five-year hiatus, Rogers returned to producing the Neighborhood; King calls the new version "stronger and more sophisticated than ever". King writes that by the program's second run in the 1980s, it was "such a cultural touchstone that it had inspired numerous parodies", most notably Eddie Murphy's parody on Saturday Night Live in the early 1980s.
Rogers retired from producing the Neighborhood in 2001 at age 73, although reruns continued to air. He and FCI had been making about two or three weeks of new programs per year for many years, "filling the rest of his time slots from a library of about 300 shows made since 1979". The final original episode of Mister Rogers' Neighborhood aired on August 31, 2001.