The Fall (band)


The Fall were an English post-punk band, formed in 1976 in Prestwich, Greater Manchester. They had many line-up changes, with vocalist and founder Mark E. Smith being the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Craig Scanlon, Marc Riley, and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.
Originally emerging out of the late 1970s punk movement, the Fall's music underwent numerous stylistic changes often concurrently with changes in the group's lineup. Their music was generally characterised by Smith's caustic lyrics, an abrasive, repetitive guitar-driven sound, and tense bass and drum rhythms. Although never achieving widespread mainstream success beyond minor hit singles in the late 1980s and early 1990s, they maintained a strong cult following throughout the years.
The Fall have been called "the most prolific band of the British post-punk movement". From 1979 to 2017, they released 31 studio albums, plus dozens of live albums and compilations released against Smith's wishes. The band have also been referred to as "the Mighty Fall," a name originally given by British DJ John Peel, who regarded the band as his personal favorite and invited them numerous times on the BBC's Peel Sessions, stating: "They are always different; they are always the same." The group disbanded after Smith's death in 2018.

History

Late 1970s: early years

The Fall were formed in Prestwich, England in 1976 by Mark E. Smith, Martin Bramah, Una Baines, and Tony Friel. The four friends met to read their writings to each other and take drugs. Their musical influences included Can, the Velvet Underground, Captain Beefheart and garage rock bands like the Monks and the Stooges. The members were devoted readers, with Smith citing H. P. Lovecraft, Raymond Chandler and Malcolm Lowry among his favourite writers. After seeing the Sex Pistols play their second gig at Manchester's Lesser Free Trade Hall in July 1976, they decided to start a group. Smith wanted to name the group "the Outsiders", but Friel came up with the name "the Fall" after a 1956 novel by Albert Camus. Smith became the singer, Bramah the guitarist, Friel played bass guitar and Baines bashed biscuit tins instead of drums; unable to afford to buy a drum kit, she then switched to keyboards. Their music was intentionally raw and repetitive. The song "Repetition", declaring that "We dig repetition in the music And we're never going to lose it", served as a manifesto for the Fall's musical philosophy.
The group played their first concert on 23 May 1977, at the North West Arts basement. Their first drummer was remembered only as "Dave" or "Steve" for 34 years, until music writer Dave Simpson discovered that he had almost certainly been a man named Steve Ormrod. Ormrod lasted just one show, at least in part due to political differences with the other members of the group. He was replaced by Karl Burns, whom Friel played with in a band called Nuclear Angel. The Fall soon caught the attention of Buzzcocks manager Richard Boon, who funded their first recording session, and in November 1977 they recorded material for their debut EP, Bingo-Master's Break-Out! Boon planned to release the EP on his New Hormones label, but after discovering that he could not afford to do so he gave the tapes back to the group. Thus, the Fall's debut on vinyl came in June 1978 when "Stepping Out" and "Last Orders" were released by Virgin Records on Short Circuit: Live at the Electric Circus, a compilation of live recordings made at the Manchester venue The Electric Circus in October 1977 just before it was closed.
The Fall's line-up had its first drastic changes in 1977–78. Kay Carroll, Una Baines's friend and colleague at the psychiatric hospital, became the group's manager and occasional backing vocalist, as well as Smith's girlfriend. Friel, unhappy with Carroll's management, left in December 1977. He was briefly replaced by Jonnie Brown, and later by Eric McGann. The Fall were filmed on 13 February 1978 for the Granada TV show What's On, hosted by Tony Wilson, performing "Psycho Mafia", "Industrial Estate" and "Dresden Dolls", featuring the brief line-up of Smith, Bramah, Burns, Baines and McGann. Baines left in March 1978 after a drug overdose and subsequent nervous breakdown, and was replaced by Yvonne Pawlett; McGann quit that May, in disgust at the group's van driver Steve Davies wearing a Hawaiian shirt as he ferried them to the recording of their first-ever session for influential radio DJ John Peel. Martin Bramah blamed the dissolution of the original line-up on Smith's style of leadership, together with Carroll's favouring of her partner: "The break-up wasn't so much about the music, though; it was more how we were being treated as people on a daily basis." Marc Riley, the group's roadie was 16; eventually he was recruited to be in the group and play bass guitar.
Bingo-Master's Break-Out! finally was released in August 1978 on Step Forward Records. The single "It's the New Thing" followed in November 1978, and in December the Fall recorded their debut album Live at the Witch Trials, which was released in March 1979. Burns quit the group shortly after the album was recorded, and was replaced by Mike Leigh from Rockin' Ricky, a cabaret band. In April 1979, Burns was followed by Martin Bramah, co-writer of most of the songs on Live at the Witch Trials and, according to writer Daryl Eslea, "possibly the last true equal to Smith in the group"; he went on to form Blue Orchids with Una Baines. Marc Riley switched from bass guitar to guitar, and Craig Scanlon and Steve Hanley, former bandmates of Riley and members of Fall support act Staff 9, joined the group. Hanley's melodic basslines became a vital part of the Fall's music for almost two decades. Smith praised his playing in Melody Maker: "The most original aspect of the Fall is Steve ... I've never heard a bass player like him ... I don't have to tell him what to play, he just knows. He is the Fall sound." Yvonne Pawlett left in July 1979 to look after her dog. She later appeared in a band called Shy Tots.
On 30 July 1979, "Rowche Rumble", the Fall's third single, was released featuring the line up of Smith, Scanlon, Riley, Hanley, Pawlett and Leigh. Pawlett left the group shortly afterwards. Dragnet, the Fall's second album, was recorded in August 1979 at Cargo Studios, Rochdale, and was released on 26 October 1979. Dragnet signalled a sparser, more jagged feel in the Fall's music compared to Live at the Witch Trials. The studio allegedly complained about the sound quality and protested against putting its name on the album sleeve, fearing it would put other artists off using the facilities.

1980–1982: Classic line-up

The Fall released their fourth single "Fiery Jack", their last for Step Forward, on 13 January 1980. In March, Mike Leigh left the group and went back to the cabaret circuit. According to Leigh, the band would have to wait for weeks without work while Smith came up with new lyrics, as opposed to regular weekly gigs in cabaret. Leigh's replacement was Paul Hanley, Steve Hanley's younger brother. He first played live with the Fall on Friday 21 March at Electric Ballroom, London–he was only 16 and was actually still at school. Meanwhile, the Fall quit Step Forward and signed with Rough Trade; the first release on a new label became Totale's Turns in May 1980. This, with the exception of two tracks, was a live album documenting the band during various appearances in 1979, with Smith announcing last orders at the bar and berating band members and audience throughout.
In November 1980, the Fall released their third full-length album Grotesque . Preceded by a couple of acclaimed singles "How I Wrote 'Elastic Man'" and "Totally Wired", the album went to no. 1 on the UK Indie Chart. It was co-produced by Rough Trade's Geoff Travis and Mayo Thompson of Red Krayola and showed a significant improvement in production, which was to continue throughout the period. Smith, however, was unhappy with Rough Trade's politics, which showed when Slates came out in April 1981. Intentionally made too long for a single and too short to be considered an album, it was released as a 10" EP for a price of just 2 pounds. The Fall eventually quit Rough Trade by the end of the year, and instead signed with a small indie label Kamera.
As the Fall were going to tour America after the release of Slates, Paul Hanley was denied a visa as he was too young to play American clubs that serve alcohol, which restrict entry to those age 21 or older. Smith thus invited Karl Burns back into the group, initially as a temporary replacement. Select recordings from this tour were released in 1982 as A Part of America Therein, 1981. After their return to the UK, Burns stayed in the group as a second drummer alongside Hanley. The first record to feature both Burns and Hanley became the "Lie Dream of a Casino Soul" single, produced by Richard Mazda and released in Australia and New Zealand in November 1981.
On 8 March 1982 Hex Enduction Hour, also produced by Mazda, was released on Kamera Records, the Fall's seventh single was released 19 April 1982 on Kamera. On 27 September the Room to Live album was released on Kamera. Marc Riley was sacked at the end of the year, following several arguments, one of which resulted in a fist fight during the Australian tour. In response, Riley's band "The Creepers" wrote the track "Jumper Clown", which directly references Riley's dismissal, while also satirising Smith's dress sense.
This era is often regarded as a high point in the band's creative history, as noted by Ned Raggett of AllMusic who retrospectively described the late years with Riley and shortly after his departure as "three years during which the band couldn't seem to make a wrong step."