Khrushchevka
Khrushchevkas are a type of low-cost, concrete-paneled or brick three- to five-storied apartment buildings which were designed and constructed in the Soviet Union from the early 1960s onwards, when their namesake, Nikita Khrushchev, was leader of the Soviet Union.
With the beginning of the construction of "Khrushchyovkas," Soviet housing development became predominantly industrial. Compared to "Stalinkas", which were usually built from brick, Khrushchyovkas had smaller apartments, and their functionalist-style architecture was extremely simple. However, the first-generation buildings surpassed the typical two-story wooden apartment buildings of the Stalin era in many ways and significantly alleviated the acute housing shortage. These buildings were constructed from 1956 to the mid-1970s.
An updated high-rise version, the brezhnevka, began to replace Khrushchyovkas, but both remain among the most widespread types of housing in the former Soviet Union and a symbol of the "Khrushchev Thaw" era. The Brezhnevkas were built in the 1970s and 1980s and included many upgrades including larger apartments, elevators, and garbage disposals.
History
The origins
Traditional masonry is labor-intensive; individual projects were slow and not scalable to the needs of overcrowded cities. In the 1920s, a Soviet delegation studied Germany's social housing construction under Ernst May, using panels. Soviet building at the time lacked standardized sizes, clear work organization, and efficient task distribution, relying on semi-handcrafted methods that reduced cost-effectiveness.In 1936, a decree from the Council of People's Commissars and the Communist Party Central Committee, "On Improving Construction and Reducing Costs," kickstarted industrialization and standardization in Soviet building. Before the war, reinforced concrete steps and floor slabs appeared sporadically, large-block houses were built in major cities, and rapid assembly-line methods were tested on Moscow's Bolshaya Kaluzhskaya Street. However, creating full residential series wasn't a priority. Industrialization and standardization didn't yet mean simplifying facade designs. The 1940 "Openwork House" by Andrey Burov and Boris Blokhin showed that industrial construction could coexist with high-quality, varied architecture.
Post-war Western cities widely adopted large-panel housing for reconstruction. In the USSR, a standardized design approach—developing typical project series with uniform architectural styles—rolled out nationwide in the late 1940s, restoring prewar housing levels with low-rise brick houses and local materials.
Until the 1950s, Soviet construction featured small apartments with combined bathrooms, kitchen access through living rooms, secondary kitchen lighting, and lower ceilings. Room-by-room occupancy practices, however, kept these designs from spreading widely.
The first Soviet large-panel houses
In 1931, under engineer A.S. Vatsenko, Kharkov began building a prototype panel house with thin reinforced concrete shells connected by perimeter ribs and filled with slag. In 1937, Uralmashzavod produced wall panel samples for an experimental house, but complex designs halted construction. Research on housing industrialization was led by Grigory Kuznetsov.In 1945, a factory near Sverdlovsk built one of the USSR's first large-panel houses in Beryozovsky, designed with 3×3 m panels. These one- and two-story homes were replicated across the region until 1951.
Moscow introduced experimental frame-panel houses in 1948. A four-story corridor-style building on Budyonny Avenue was completed first, featuring a metal frame with precast reinforced concrete panels and floor slabs. Later, a full block of four- and five-story houses with metal and concrete frames was built on 1st Khoroshevsky Lane, adorned with garlands under windows and elements hiding panel joints. Precast staircases were used for the first time. Architect Mikhail Posokhin argued that new methods should enrich, not impoverish, architecture—despite on-site panel casting and joint sealing from scaffolding, these homes rose faster than brick ones.
In May 1949, at Khrushchev's initiative as Ukraine's Communist Party First Secretary, large-panel housing began in Ukraine. Houses in Makeevka and Kyiv used precast reinforced concrete frames and ceramic wall panels, showcasing diverse material use.
In 1950, a team from the USSR Academy of Architecture's Construction Technology Institute and Magnitostroy built the first frameless large-panel house in Magnitogorsk's 20A quarter. This three-story building featured 300 mm thick outer panels—two 40 mm layers with ribs and foam concrete infill—joints concealed by protrusions, and flat, solid floor slabs.
A 1951 "Technology-Youth" article highlighted factory-made large-panel house blocks, deeming the approach successful and spurring the design of reinforced concrete factories. In Moscow, Khrushchev, as city party secretary, drove large-panel housing development.
Preparing the reform
A week after Stalin's funeral, Georgy Malenkov, at a Supreme Soviet meeting, urged an expansion of housing construction. On August 18, 1953, a secret USSR Central Statistical Administration report on urban housing conditions from 1940–1952 was sent to L.M. Kaganovich. In March 1954, a memo on urban communal services was submitted to Malenkov. Historian Dmitry Khmelnitsky argues these efforts signal the leadership's preparation for a major housing reform. By 1954, publications on standardized construction emerged, and media began criticizing the ornate "grand style".The housing crisis stemmed from ongoing urbanization, aging urban housing stock, a lag in residential construction behind industrial growth due to rapid industrialization, and war devastation. Per the statistical report, urban housing in 1952 totaled 208.2 million m², up from 167 million m² prewar, but growth lagged behind population increases. On January 1, 1953, average living space per urban resident in public housing was 5.6 m²—6.0 m² in local council homes and 5.3 m² in ministry-owned homes. Including temporary and unregistered residents, space was even scarcer. In 1952, per-person living space barely exceeded 1940 levels and matched 1950. In cities like Kuibyshev, Molotov, Chelyabinsk, and Novosibirsk, it fell below 5 m². Khmelnitsky believes the report overstated per-person space. Unimproved barracks also made up a large share of urban housing—18 million m² in 1952, a 144% rise from 1940—while much permanent construction favored privileged groups.
Speech by Khrushchev at the All-Union Conference of Builders
On December 7, 1954, the final day of the "Second All-Union Conference of Builders, Architects, and Workers in Construction Materials, Machinery, Design, and Research," Nikita Khrushchev, First Secretary of the CPSU Central Committee, took the stage and delivered a surprising speech. He criticized Stalinist architecture, scolded its architects for extravagance and "excesses," and called for comprehensive construction industrialization. Khrushchev spoke with expertise, citing specifics: Stalinist high-rises lost significant space to complex structures and incurred high heating costs, while in the early 1930s, only 1% of design resources went to standardized blueprints. The speech, likely shaped by architect Georgiy Gradov's input, faced publication delays in Pravda, hinting at intraparty resistance to reform.Khrushchev's 1954 address was both a domestic move toward de-Stalinization and power consolidation and a foreign policy challenge to capitalist nations. Modern architectural studies view it as a key manifesto of architectural modernism.
Housing construction reform
In the mid-1950s, discontent with the delays in construction was growing in society. Messages to the II All-Union Congress of Soviet Architects were full of complaints about crumbling housing against the backdrop of the construction of luxury millionaire hotels.On November 4, 1955, the Central Committee of the CPSU and the Council of Ministers of the USSR adopted a resolution "On the Elimination of Excesses in Design and Construction", which finally put an end to the period of Stalinist architecture. Having switched to a modernist language, Soviet architecture returned to the mainstream of world architecture. Housing construction began to be carried out almost entirely according to standard designs, with a gradually increasing share of industrially manufactured elements]. The resolution of the Central Committee of the CPSU and the Council of Ministers of the USSR "On the Development of the Production of Precast Concrete Structures and Components for Construction" issued a year earlier planned the construction of 400 precast concrete plants.
Khrushchev-era buildings contrast with the monumental and heavy Stalinist architecture by the absence of fine-grained decoration and thinning, lightweight structures. "Khrushchev-era buildings" were superior in quality of construction to the multi-apartment wooden two-story buildings of typical series that were built en masse in the previous period. In theory and practice, a utilitarian approach to architecture prevailed. The problem of artistic image faded into the background and was solved by simple compositional techniques. The most important element of spatial composition was a group of buildings. The historian of Soviet architecture Selim Omarovich Khan-Magomedov recalled that the architectural community recognized the need to make houses cheaper and develop large-panel construction, but the General Secretary's intervention in matters of style caused discontent.
And it seemed that artistic image was leaving architecture altogether. Theorist Georgy Minervin came to the aid of architects. He believed that individual standard residential buildings could only have an artistic appearance, but when united into complexes they could create a common, so to speak, collective, artistic image. Many people were satisfied with this at the time.There was an idea that each individual plant should produce one type of panel, but this type was unique. But this method was abandoned, all the first generation houses were similar to each other. When asked why this happened, architect N. P. Kraynyaya answered:
We were carried away by the very novelty of the task, we believed that the reflection in architecture of the same comfort of housing for everyone was the new aesthetics.According to the designers' recollections, the construction of "five-story buildings" was perceived as one of the symbols of the democratization of society: "construction for a person who was remembered amidst serious state affairs and concerns". Also under Soviet building code, buildings were allowed to be constructed without elevators if the number of stories did not exceed five.
Savings were achieved through the rationalization of living space and the standardization of solutions. All standards for the dimensions and area of premises were reduced. In an advertisement for new buildings, the announcer reported: to cook borscht in an old apartment, you need to walk 500 steps, but in a new small kitchen of 5.6 m², everything is close by, you can literally reach anything with your hand. In turn, the small size of the apartments forced the industry to produce furniture of smaller dimensions. Thus, with standardized construction, a special aesthetic of small, compact things appeared. Standardization extended to furniture and even to people's daily routines. As a result, the costs of building "Khrushchev-era" buildings, compared to Stalin's time, were reduced by 30% or more.
The urban planning thinking changed completely. Mathematics and statistics helped to carefully calculate the life of society in new microdistricts, determine people's needs, and calculate optimal routes to workplaces, schools, and clinics. The egalitarian thinking of the Thaw era brought social meaning to construction: the closed neighborhoods built up with richly decorated Stalinist houses for the elite of society were to be replaced by an open, comfortable, universal living environment for the entire population.
One of the most important provisions of the reform was the reorientation of construction from room-by-room to apartment-by-apartment settlement, which was a significant step towards improving the quality of life: more than half of urban families by this time lived in communal apartments and dormitories. In such conditions, people had almost no personal space, and their own apartment was a dream for many.
As a result of the reform, the role of urban planners and engineers increased, and the architects faded into the background. In his speech at the Third Conference on Construction in 1958, Khrushchev drew attention to the "relapses of archaism and embellishment" in the projects:
Perestroika in architecture is not yet complete. Many people misunderstand the tasks and view it only as a reduction in architectural excesses. The point is a fundamental change in the direction of architecture, and this must be completed.
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The 20th Congress of the CPSU in 1956 set the task of putting an end to the housing deficit within 20 years. On July 31, 1957, the Central Committee of the CPSU and the Council of Ministers of the USSR adopted a resolution "On the Development of Housing Construction in the USSR". It was of great importance, as it finally consolidated the new principles of construction and architecture that had been formed by that time. A year later, they were reflected in the new edition of SNiP II-B.10-58 "Residential Buildings". It was with the 1957 decree and the new edition of SNiP that the period of truly mass housing construction began throughout the USSR. It was planned to build 650-660 million m² of total area by 1965 through state construction alone.