In the Aeroplane Over the Sea
In the Aeroplane Over the Sea is the second and final studio album by the American band Neutral Milk Hotel, released on February 10, 1998, by Merge Records. The album is predominantly indie rock and psychedelic folk and is characterized by extensive use of audio distortion and other lo-fi musical elements. Traditional indie rock instruments like the guitar and drums are paired with less conventional instruments like the singing saw and uilleann pipes. The lyrics are surrealistic and opaque, exploring themes that range from nostalgia to love. An important influence for the album was The Diary of a Young Girl, a book of writings from the diary of Anne Frank.
In the Aeroplane Over the Sea was recorded at Pet Sounds Studio from July to September1997. Producer Robert Schneider worked with bandleader Jeff Mangum to improve upon the low-quality sound of Neutral Milk Hotel's debut album, On Avery Island. Instead of using standard studio equipment like guitar pedals or effects units to induce distortion, Schneider developed a recording technique that involved heavy compression. To promote the album, Neutral Milk Hotel undertook a tour of North America and Europe, and developed a reputation for chaotic and physically demanding performances.
Contemporary reviews were moderately positive; over time, however, the album developed a cult following. The band became more well known and started touring more, which negatively affected Mangum, whose mental health began to deteriorate. He eventually withdrew from touring, and Neutral Milk Hotel went on hiatus shortly after. In the years since its release, In the Aeroplane Over the Sea has been described by music journalists as both a landmark album for indie rock and as one of the best albums of the 1990s and its critical standing has risen considerably.
Background
originated in Ruston, Louisiana, in the late 1980s, as a home-recording project of high school student Jeff Mangum. Initially called Milk, Mangum shared the recordings he created with his friends and fellow musicians Robert Schneider, Bill Doss, and Will Cullen Hart, and the four began producing music together. The group started branding their respective homemade cassette tapes with "The Elephant 6 Recording Co.", a then-imaginary record label which later grew into a loose musical collective. After graduating from high school, Mangum released the single "Everything Is" on Cher Doll Records under the alias Neutral Milk Hotel. The single's exposure convinced Mangum to record more music under this name. He moved to Denver and worked with Schneider to record the 1996 album On Avery Island. Although Schneider was interested in what he described as "high-art Beatlesque production," he aligned with Mangum's preference for a low-quality sound called lo-fi, admitting that "at first it was frustrating, but I came to enjoy it. That's how I learned to produce, doing that record, because I totally had to let go of what I thought it should be like."After the release of On Avery Island, Mangum recruited three musicians to tour with: Julian Koster, Jeremy Barnes, and Scott Spillane. The North American tour in support of On Avery Island generated enough money to enable the quartet to move to Athens, Georgia, which was considered a hub for alternative rock and new wave musicians. By mid-1997, Mangum had written and demoed nearly every song for In the Aeroplane Over the Sea. He shared the demos with his bandmates before they moved back to Denver, where Schneider's studio was located, to record the album.
Recording
In the Aeroplane Over the Sea was produced by Schneider, and was recorded from July to September1997. It was recorded at Pet Sounds Studio in Denver, the home of Schneider's friend Jim McIntyre. Schneider paid half the rent for access to every room in the house except McIntyre's bedroom. The recording sessions for In the Aeroplane Over the Sea coincided with several other sessions. Schneider was already producing the Minders' album Hooray for Tuesday when Neutral Milk Hotel members began to arrive, and decided to halt production until In the Aeroplane Over the Sea was finished. McIntyre was recording the Von Hemmling song "My Country 'Tis of Thee" in his bedroom while the band members played, and whenever Koster was not needed, he would work on songs for his experimental pop music and performance art project the Music Tapes, such as "Television Tells Us" and "Aliens".Schneider separated the band members into different rooms, but always kept Mangum close to the control room in case he wanted to plug Mangum's acoustic guitar into a four-track cartridge. Schneider occasionally tried using an electric guitar, however he wiped these recordings as he felt that they did not have Mangum's distinctive sound. As the sessions progressed, Schneider wanted to find a way to record the acoustic sound into a microphone instead of into the cartridge. He decided to record the sound through Neumann U 87 microphones. According to Scheider: " liked an acoustic plugged in because he kinda found it fuzzy and raw, like an electric guitar, but it had a strummy quality to it, too... I had developed an acoustic guitar sound on my own that he was really happy with by the second record, and I think it's really good."
Neutral Milk Hotel biographer Kim Cooper believes In the Aeroplane Over the Sea is one of the most heavily distorted albums ever made, but also notes the lack of equipment such as Big Muffs or distortion pedals. Mangum liked having a layer of distortion over the music, but Schneider decided to not use standard effects equipment. Instead, Schneider used heavy compression and placed a Bellari RP-220 tube preamplifier close to his guitar. Schneider then ran the sound through a mixing console and maximised the sound on a cassette tape. This process was done for nearly every instrument used on In the Aeroplane Over the Sea. Schneider claimed that the nonlinearities of microphone distortion gave the album its unique "warm" quality.
The horn arrangements were primarily written by Schneider. He wrote these parts on a piano or organ, then conferred with trombonist Rick Benjamin to ensure the musical notation was correct. Spillane was the last band member to arrive, so Schneider showed him the arrangements he had already written. The trumpets were written in treble clef, but as Spillane could only read bass clef, he had to rewrite these arrangements before he could learn them. As he did while learning the songs for On Avery Island, Spillane spent hours every day practicing and writing more arrangements in the basement. Toward the end of the recording sessions, Schneider and Spillane worked together to combine their differing arrangements. Schneider's parts were more melancholic while Spillane wrote chaotic and boisterous parts.
Composition
Music
In the Aeroplane Over the Sea is difficult to categorize into a specific genre. Critics generally describe it as indie rock and psychedelic folk with a lo-fi sound, but also note the wide range of influences, including Eastern European choral music, Canterbury Sound, circus music, musique concrète, drone music, free jazz, and Tropicália. Jason Ankeny of AllMusic compared the album to a "marching band on an acid trip", while Kim Cooper wrote: "the music is like nothing else in the 90s underground". Part of the musical variance comes from the instruments used on the album. Traditional indie rock instruments like the guitar and drums are paired with less conventional instruments like the shortwave radio, singing saw, and uilleann pipes.Jeff Mangum's guitars are a key component for much of the album. Mangum often plays simple chord progressions, which Erik Himmelsbach of Spin compared to the '50s progression. Other important aspects to the music include the heavy amount of distortion, as well as the multitrack recording method Schneider used for the majority of the instruments. Ankeny described In the Aeroplane Over the Sea as having a greater emphasis on structure and texture; he further noted that, like On Avery Island, "the songs run continuously together". The overall sound of the album sometimes abruptly shifts from track to track. Rolling Stone noted the range of musical styles present, such as slow funeral marches and fast-paced punk rock. Critic Chris DeVille wrote: "On the musical axis, Neutral Milk Hotel veered from piercingly intimate psychedelic campfire sing-alongs to full-band segments that barreled ahead with haphazard grace."
Lyrics
Mangum wrote the lyrics for every track on In the Aeroplane Over the Sea. The lyrics are surreal and often reference seemingly unrelated subject matter. Cooper cites the opening track "King of Carrot Flowers, Pt. One" as an example of this style of songwriting. While the lyrics are about childhood fantasies, there are references to sexual awakenings, domestic violence, religious fanaticism, and tarot card readings. Fans and journalists have long argued over the exact meaning of the album. Some listeners believe there is a central message found throughout the lyrics, while other listeners believe the album is too abstract to derive meaning from. DeVille said: " collides the familiar and the disorienting in a way that renders meaning elusive even as it provokes intense emotional reckoning."Common lyrical themes include childhood and nostalgia. Pitchfork Mark Richardson wrote that the lyrics are written with childlike wonder, in which mundane interactions are illustrated as fantastical moments, stating, "It's like a children's book or a fairy tale, Where the Wild Things Are on wax." Mangum's lyrics have also been seen as a depiction of adolescence, and the need to develop one's own identity. Some critics have compared the album to a coming-of-age story. Mangum's descriptions of these experiences evoke a sense of nostalgia. According to Richardson: "it's an album of memories and associations, how skin feels against the grass and what passes through your mind the first time you realize your own powerlessness. It puts ultimate faith in raw feelings, the kind that consume you without logic or sense."
Love is another prominent lyrical theme, although this concept takes on different forms. P. J. Sauerteig of PopMatters believes In the Aeroplane Over the Sea central message is Mangum's longing desire to be loved by the people he idolizes, whether that be a love interest or his peers. The lyrics sometimes seem to describe how Mangum wants to physically merge with the things he loves, which symbolizes a need for interconnectedness with loved ones. Sauerteig cites the track "Two-Headed Boy" as an example of this concept, and states the lyrics are a metaphor for two people who unsuccessfully merged into one body and, as a result, feel like they are trapped in an interdependent relationship.
Although there is little concrete information as to the genesis of some of the lyrics, Mangum has stated a major influence was Anne Frank, a teenage girl who died in a Nazi concentration camp. Before recording On Avery Island, Mangum read The Diary of a Young Girl, a book of writings from Frank's diary that she kept while in hiding during the Nazi occupation of the Netherlands. He was deeply affected by the book and spent, in his own words, "about three days crying", having dreams of traveling back in time and saving her. Tracks such as "Holland,1945" and "Ghost" incorporate elements of Anne Frank's life into the lyrics. As a result, some listeners have labeled In the Aeroplane Over the Sea as a concept album. However, Frank's importance to the lyrics is a subject of debate. Some critics argue she is merely an inspiration for some of the tracks, as opposed to an important character within a narrative arc. Writing about the Anne Frank connection, Anwen Crawford of The Monthly said: "It would be overly literal... to describe In the Aeroplane Over the Sea as an album about the Holocaust, for Frank is only one of many phantasms to populate a set of looping, interlinked narratives that proceed with the closed logic of a dream or a religious vision."