Graffiti


Graffiti is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
Modern graffiti is a controversial subject. In most countries, marking or painting property without permission is considered vandalism. Modern graffiti began in the New York City subway system and Philadelphia in the early 1970s and later spread to the rest of the United States and throughout the world.
Graffiti is distinguished from murals, a more artistic and usually permitted form of street art.

Etymology

"Graffiti" and the rare singular form "graffito" are from the Italian word graffiato. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".

History

Prehistoric

Most petroglyphs and geoglyphs date between 40,000 and 10,000 years old, the oldest being cave paintings in Australia. Paintings in the Chauvet Cave were made 35,000 years ago, but little is known about who made them or why. Early artists created stencil graffiti of their hands with paint blown through a tube. These stencils may have functioned similarly to a modern-day tag.

Ancient

The oldest known written graffito was found on the Greek island of Astypalaia and is dated to around 500 BC. Most graffiti from the time was boasts about sexual experiences, but also includes word games such as the Sator Square, "I was here" type markings, and comments on gladiators. Graffiti in Ancient Rome was a form of communication, and was generally not considered vandalism. The Alexamenos graffito was later seen as blasphemous and removed. It may contain one of the earliest depictions of Jesus. The graffito features a human with the head of a donkey on a cross with a Greek inscription translated as.

Medieval

The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.

Contemporary

In the 1790s, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt. Lord Byron's survives on one of the columns of the Temple of Poseidon at Sounion in Attica, Greece.
The oldest known example of graffiti monikers were found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
Contemporary graffiti has been seen on landmarks in the US, such as Independence Rock, a national landmark along the Oregon Trail.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker, graffiti began appearing around New York with the words "Bird Lives".

Modern

Modern graffiti style has been heavily influenced by hip hop culture and started with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti, starting with artists like TAKI 183 and Cornbread. Later, artists began to paint throw-ups and pieces on trains on the sides of subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. While those who did early modern graffiti called it "writing", the 1974 essay "The Faith of Graffiti" referred to it using the term "graffiti", which stuck.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in Islington, north London, in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, DONDI, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983.

Commercialization and pop culture

With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and Tux, to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PlayStation Portable gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".

Global movements

When graffiti is done as an art form, it often uses the Latin script even in countries where it is not the primary writing system. English words are also often used as monikers.

Europe

Stencil graffiti artists such as Blek le Rat existed in Western Europe, especially in Paris, before the arrival of American graffiti and was associated more with the punk rock scene than with hip-hop. In the 1980s, American graffiti and hiphop began to influence the European graffiti scene. Modern graffiti reached Eastern Europe in the 1990s.
Some of the earliest graffiti exhibitions outside of the USA were in Amsterdam, The Netherlands.

Middle East

Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa, especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.

South America

South America has a very active graffiti culture, and graffiti are very common in Brazilian cities. This is blamed on the high uneven distribution of income, changing laws, and disenfranchisement. Pichação is a form of graffiti found in Brazil, which involves tall characters and is usually used as a form of protest. It contrasts with the more conventionally artistic values of the practitioners of grafite.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak.

Southeast Asia

There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.