Quo Vadis (band)
Quo Vadis was a Canadian melodic death metal band from Montreal, Quebec, formed in 1992 by Bart Frydrychowicz, Yanic Bercier, and Arie Itman, named after the novel by Polish writer Henryk Sienkiewicz. Since its inception, the band released three studio albums, one compilation album, one demo, one live DVD, one live album and two videos. Not to be confused with another technical death metal band from Poland, bearing the same name.
History
Formation, ''Quo Vadis Demo'' (1992–1995)
Quo Vadis was formed in 1992 by guitarists and vocalists Bart Frydrychowicz and Arie Itman and drummer Yanic Bercier. Initially the band's music consisted of Metallica and Megadeth covers. However, over time, the band began to write originals and incorporate them into their live shows. By 1995, the band had written several originals and wanted to record a demo. Bassist Remy Beauchamp was recruited as a permanent member after the band tried out 17 others and soprano vocalist Sebrina Lipari performed on certain songs live. The Quo Vadis Demo was released on cassette on March 21, 1995, through VomiT Productions and helped the band establish themselves in the Montreal metal community.''Forever...'' (1996–1998)
In early 1996, Quo Vadis headed back into the studio and recorded their debut album with Pierre Rémillard, who had previously worked with Cryptopsy, as producer. On April 10, 1996, Forever... was released and was received favorably by both fans and critics, leading Earth AD Records in Germany and Immortal Records in Poland to sign licensing deals with Quo Vadis. Bart said of the album, "We recorded a demo which was released as an EP on cassette last year. The reaction was very positive. We were still searching for direction at that time, experimenting with keyboards and femme vox. The music is much more focused now as we have found our sound. Forever... is much more aggressive then the EP was, it's much more melodic and intricate. That may sound like a contradiction but that is the case. I think we had more to say as musicians this time in the studio as well. Our objective was to keep the aggression and not to loose our edge. I think we captured that quite well, at the same time setting free our artistic side. It's pretty weird. You have to listen to both to really understand."''Day into Night'' and ''Passage in Time'' (1999–2001)
After signing onto Hypnotic Records in 1999, Quo Vadis received a budget of around $20,000 to record their second album. Recorded at Victor Studios and produced again by Quo Vadis and Pierre Rémillard, Day into Night was released on March 30, 2000, in Canada. Whereas the composing duties for Forever were credited to all members, a majority of the songs on the Day Into Night album were in fact written and recorded by Arie. However, due to logistical problems, the album was released to Europe in December. To promote the album a video for "Dysgenics" was made. Remy commented on the making of the video, "It was long! We did two days of shooting. It's not the most pleasant thing to do lipsing and pretend to be playing, but it's all worth it in the end. What's really fun is the editing, seeing the whole thing take shape. We did a video release in Music Plus studios in December, but what people saw that day wasn't the finished version. We changed it a lot since and it looks really cool." Day into Night also sold much more than Forever...; Bart compared them: "The reactions have been excellent, to give you an idea, we sold as many copies of the new album in the 6 months as of Forever... in 2 years."The sound of the album was notably different than Forever as the female vocals and violins had disappeared and the band's focus had shifted away from melody towards more technicality and progressiveness, featuring more complex song structures and time signature changes. Remy Beauchamp elaborated, "Basically, it was over three years between the recordings of both albums so within that time, the music we listen to has changed. Also, we all improved on our instruments... The female vocals are just something we tried a long time ago. The song was actually written in 1994, and then every band started doing it so we decided to drop it. The violin is not out definitely though, we might be putting some on our next album but for 'Day Into Night', we wanted to have a good heavy album, no extras." Bart said that "the production is much better; we spent 3 months in the studio as opposed to a week and a half... Our budget helped as well – we basically spent ten times the amount that we spent on Forever..." He also said, "One thing that many fans asked about... was why there was no violin. At the time we wanted to distance ourselves from all the bands that filled space in their music with different instruments as opposed to writing good music that stood on its own. We did the violin thing five years ago when the idea was a new concept so we wanted to move in. In face, we did record a violin piece for the album but chose not to include it for the reason above. Too many bands with violins. We wanted Day into Night to be heavy and kick ass and not diluted by association."
In 2001, Quo Vadis released Passage in Time, a compilation album, under Skyscraper Music. The compilation album featured the entire Quo Vadis Demo, two live tracks, two remixes, one new song and the "Dysgenics" video. Remy commented on the album, "The demo hasn't been available for over three years and many fans were asking for it so we decided we might as well do something special if we were to re-release it. There will be a whole multimedia-section with it too. It will be an interesting package."
Line-up changes (2002–2003)
In 2002, Yanic Bercier relocated to Tennessee, United States for work but remained in the band, although not attending a single practice after August 2002. Bart asserted, "Yanic is one of the most solid and reliable people I've ever known... We are in touch multiple times a day and he participates in the band... Our rehearsals are at the live shows we play... Yanic makes great efforts to stay in touch, practice, to fly in for all the shows, mixing, mastering, etc."In the same year, vocalist and guitarist Arie as well as bassist Remy quit the band. According to Bart this decision was influenced by several factors; "I had wanted to bring in someone into the band for vocals all the way back in 2001, this was not possible at the time as some ex-members of the band felt that it would diminish their importance or feel threatened." He added, "...you see, back in 2002, we weren't expecting all this to happen a month before recording – and to have to write the other half of the album in 4 weeks... if there had been no changes at all, we would have had to deal with similar issues anyway. That's because, little did we know at the time, the other guitarist had only one song ready a month before studio so either way we would have had four weeks to write the rest of the album. Maybe he chose to deal with it by leaving the band, I don't know and I don't really care."
Quo Vadis then recruited Cryptopsy guitarist Alex Auburn for the remainder of 2002 to take over Arie's guitar duties. Will Seghers saw the band perform at the Metropolis, their first show after the line-up changes. After about a year he joined the band temporarily, replacing Alex who had to leave due to his commitments with Cryptopsy.
Instead of searching for and auditioning bassists, Bart decided to opt for an already established name. In 2003, Bart emailed Steve Di Giorgio asking, "Would you be interested in doing session work in Canada?" Steve agreed and Bart sent him info on the band and their music. After Steve finished his tour with Testament, he met with Bart for the first time in the Montreal Airport.
For vocals, Quo Vadis recruited Stéphane Paré to replace Arie. Bart praised his vocals, saying, "In any case, the most important issue was to fix the weak delivery of vocals live. And that's been addressed when Stéphane came in." This new line-up was completed by the addition of Roxanne Constantin, formerly of Negativa, on keyboards, soprano and alto vocals.
''Defiant Imagination'' (2004)
Although the album was released on November 4, 2004, Defiant Imagination was written much earlier. By 2002, the song structures had been finalized and the drums were recorded in September 2002, and the bass in August 2003 at Wildsound Studios with Pierre Rémillard as the sound engineer. Cellos were recorded in October 2003 by POJPOWJ. The guitars were recorded sporadically between September 2002 and January 2004 and the choir and the vocals were recorded in January 2004. By May 2004, the entire album had been mixed by Jim Morris and mastered by Bernard Belley between June and September 2004.Because the drums were recorded prior to the guitars, Bart had to write his guitar riffs so that they would complement the drums and not vice versa. Bart elaborated, "Following the September sessions I went back to work out the harmonies and write a whole new set of guitars trying to see them from a different point of view. The main challenge was to stay within the parameters of the drums – either that or we would have to re-record them again. So I had to be very creative to make the songs interesting without introducing new sections or tempo changes. This is why there are so many harmonies and counter melodies. It was challenging – often I would just jam to the recorded tracks for a long time trying to find a different vibe then that already recorded... this is best apparent on To the Bitter End or Tunnel Effect. If you listen to both guitars, they're doing widely different things yet each other really well."
The title of the album was initially "To the Bitter End" as the band intended to "record, or mix, or master until we're 100% happy and NOT settle for compromises". Bart explained that the artwork did not fit with the title so the band thought of a newer title and decided upon Defiant Imagination.