1950s quiz show scandals


The 1950s quiz show scandals were a series of scandals involving the producers and contestants of several popular American television quiz shows. These shows' producers secretly gave assistance to certain contestants in order to prearrange the shows' outcomes while still attempting to deceive the public into believing that these shows were objective and fair competitions. Producers fixed the shows sometimes with the free consent of contestants and out of various motives: improving ratings, greed, and the lack of regulations prohibiting such conspiracy in game show productions.
The scandals took place at a time when television was still emerging as a medium and had yet to become the established cultural force in American society that it is today. When the behavior of the producers and contestants was exposed, the public reacted with shock. Many expressed concern about the potential for the young medium of television to harm society.
In response to the scandals, the government was widely pressured to impose stricter regulations on broadcasters. As a direct consequence, Congress amended the Communications Act of 1934 to prohibit networks from prearranging the outcomes of quiz shows. In the United States, it has since become standard industry practice for game show producers to monitor their own shows closely for cheating and to ensure fairness in play and compliance with broadcasting law to the highest degree possible.

Summary

The popularity of radio quiz shows between 1938 and 1956 led to the creation of television quiz shows. In 1954, the U.S. Supreme Court ruled that radio and television quiz shows could give prizes to contestants, provided the contestants did not contribute any of their own money.
In September 1956, the game show Twenty-One, hosted by Jack Barry, premiered on NBC, its first show being played legitimately with no manipulation of the game by the producers at all. That initial broadcast was, in the words of co-producer Dan Enright, "a dismal failure", as the two contestants were so lacking in the required knowledge that they answered a large number of the questions incorrectly. Show sponsor Geritol, upon seeing this opening-night performance, reportedly became furious with the results and said in no uncertain terms that they did not want to see a repeat performance.
Three months into its run, Twenty-One featured a contestant, Herb Stempel, who had been coached by Enright to allow his opponent, Charles Van Doren, to win the game. Stempel took the fall as requested. A year later, Stempel told the New York Journal-Americans Jack O'Brian that his winning run as champion on the series had been choreographed to his advantage, and that the show's producer then ordered him to purposely lose his championship to Van Doren. With no proof, an article was never printed.
Stempel's statements gained more credibility when fixing in another game, Dotto, was publicized in August 1958. Quiz show ratings across the networks plummeted and several were cancelled amid allegations of fixing. The revelations were sufficient to initiate a nine-month-long New York County grand jury. Although contest-rigging was not a criminal offense, several producers and dozens of contestants chose, rather than publicly admit they were frauds, to perjure themselves before the grand jury by denying they participated in fixing the shows. No indictments were handed down, but, in an unusual move, the judge ordered the findings and testimony sealed. This aroused public suspicion that corruption was involved, which in turn attracted the attention of the US Congress. A formal congressional subcommittee investigation began in August 1959. The producers and contestants did not dare to perjure themselves before Congress. Enright was revealed to have rigged Twenty-One; Van Doren also eventually came forth with revelations about how he was persuaded to accept specific answers during his time on the show.
In 1960, Congress amended the Communications Act of 1934 to prohibit the fixing of quiz shows. As a result of that action, many networks canceled their existing quiz shows and replaced them—at the prodding of incoming FCC commissioner Newton Minow—with a higher number of public service programs.

Integrity questioned (1957–1958)

''Twenty-One''

In late 1956, Herb Stempel, a contestant on NBC's Twenty-One, was coached by Enright. While Stempel was in the midst of his winning streak, both of the $64,000 quiz shows were in the top-ten rated programs but Twenty-One did not have the same popularity. Enright and his partner, Albert Freedman, were searching for a new champion to replace Stempel to boost ratings. They soon found what they were looking for in Charles Van Doren, an English teacher at Columbia University. Van Doren decided to try out for the NBC quiz show Tic-Tac-Dough. Enright, who produced both Tic-Tac-Dough and Twenty-One, saw his tryout and was familiar with his prestigious family background that included multiple Pulitzer Prize-winning authors and highly respected professors at Columbia. As a result, Enright felt that Van Doren would be perfect as the new face of Twenty-One.
After achieving winnings of $69,500, Stempel's scripted loss to the more popular Van Doren occurred on December 5, 1956. One of the questions Stempel answered incorrectly involved the winner of the 1955 Academy Award for Best Motion Picture. The correct answer was Marty, one of Stempel's favorite movies. As instructed by Enright, however, he gave the incorrect answer On the Waterfront, which had won the previous year. Although the manipulation of the contestants helped the producers maintain viewer interest and ratings, the producers had not anticipated the extent of Stempel's resentment at being required to lose the contest against Van Doren.
Another former contestant, James Snodgrass, made lists of all the questions and answers on which he was coached and mailed them to his own home in a series of registered letters before his games aired. The dates on these letters served as indisputable proof that the show had been rigged, and Snodgrass testified before Congress on this matter in 1959.

''The Big Surprise''

In December 1956, Dale Logue, a contestant on NBC's The Big Surprise, filed a lawsuit against the show's production company, Entertainment Productions, Inc., seeking either $103,000 in damages or reinstatement on the show as a contestant. Her claim was that, after being asked a question she did not know in a "warm-up" session, that she was asked the same question again during the televised show. Her assertion was that this was done intentionally with the express purpose of eliminating her as a contestant. At the time Logue's lawsuit was filed, Steve Carlin, executive producer of Entertainment Productions, Inc., called her claim "ridiculous and hopeless". Assertions that Logue had been offered $10,000 to settle in January 1957 were called baseless. Charles Revson, head of Revlon and The Big Surprise's primary sponsor, asked the producers if Logue's accusation was true, and was told that it was not.
In April 1957, Time magazine published an article detailing the depths to which producers managed game shows, just short of involving the contestants themselves. This was followed by the August 20, 1957, Look magazine article "Are TV Quiz Shows Fixed?", which concluded "it may be more accurate to say they are controlled or partially controlled."

''Dotto''

In August 1958, Stempel and Logue's credibility was bolstered when Edward Hilgemeier, Jr, a stand-by contestant on Dotto three months earlier, sent an affidavit to the FCC claiming that while backstage, he had found a notebook on set containing the answers contestant Marie Winn was to deliver.

Backlash

The American public's reaction was swift and dramatic when the fraud became public; between 87% and 95% knew about the scandals as measured by industry-sponsored polls. Through late 1958 and early 1959, quiz shows implicated by the scandal were quickly cancelled. Among them, with their last-aired dates, were:
  • Dotto
  • The $64,000 Challenge
  • Twenty-One
  • The $64,000 Question
  • Tic-Tac-Dough, primetime edition
  • For Love or Money
In late August 1958, New York prosecutor Joseph Stone convened a grand jury to investigate the allegations of the fixing of quiz shows. At the time of the empaneling, neither being a party to a fixed game show nor fixing a game show in the first place were crimes in their own right. Some witnesses in the grand jury acknowledged their role in a fixed show, while others denied it, directly contradicting one another. Many of the coached contestants, who had become celebrities due to their quiz-show success, were so afraid of the social repercussions of admitting the fraud that they were unwilling to confess to having been coached, even to the point of perjuring themselves to avoid backlash. Producers who had legally rigged the games to increase ratings, but did not want to implicate themselves, their sponsors, or the networks in doing so, categorically denied the allegations. After the nine-month grand jury, no indictments were handed down and the judge sealed the grand jury report in August 1959. In October 1959, the House Subcommittee on Legislative Oversight, under Representative Oren Harris's chairmanship, began to hold hearings to investigate the scandal. Stempel, Snodgrass, and Hilgemeier all testified.
The expansion of the probe led CBS president Frank Stanton to immediately announce cancellation of three more of its large-prize quiz shows between October 16 and October 19, 1959: Top Dollar, The Big Payoff, and Name That Tune, explaining that this decision was made "because of the impossibility of guarding against dishonest practice". On November 2 when Van Doren said to the Committee in a nationally televised session that, "I was involved, deeply involved, in a deception. The fact that I, too, was very much deceived cannot keep me from being the principal victim of that deception, because I was its principal symbol."