Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese having been the only continuous member until his death in January 2015.
The best-known lineup of the group was its mid-'70s trio of Froese, Christopher Franke, and Peter Baumann. In 1979, Johannes Schmoelling replaced Baumann. Since Froese's death in 2015, the group has been under the leadership of Thorsten Quaeschning. He is joined by violinist Hoshiko Yamane who joined in 2011, Ulrich Schnauss who joined in 2014 and Paul Frick who joined 9 June 2020.
Tangerine Dream are considered pioneers of the early days of electronica. Their work with the electronic music Ohr label produced albums that had a pivotal role in the development of the German musical scene known as kosmische. Their "Virgin Years", so called because of their association with Virgin Records, produced albums that further explored synthesizers and sequencers, including the UK top 20 albums Phaedra and Rubycon. The group also had a successful career composing film soundtracks, creating over 60 scores, which include those for the films Sorcerer, Thief, Risky Business, Flashpoint, The Keep, Firestarter, Legend, Three O'Clock High, Near Dark, Shy People, and Miracle Mile.
From the late 1990s into the 2000s, Tangerine Dream continued to explore other styles of instrumental music as well as electronica. Their recorded output has been prolific, including over one hundred albums. Among other scoring projects, they helped create the soundtrack for the video game Grand Theft Auto V. Their mid-1970s work has been profoundly influential in the development of electronic music styles such as new age and electronic dance music.
Their most recent album of all-new music, Quantum Gate, was released on 29 September 2017. In December 2019, the band released Recurring Dreams, a compilation of new recordings of some of the band's classic compositions.
LineupIn the late 1960s and early 1970s, Tangerine Dream existed as several short-lived incarnations, all of which included Froese, who teamed up with several musicians from West Berlin's underground music scene, including Steve Jolliffe, Klaus Schulze, and Conrad Schnitzler.
Froese's most notable association was his partnership with Christopher Franke. Franke joined Tangerine Dream in 1970 after serving time in the group Agitation Free, originally to replace Schulze as the drummer. Franke is credited with starting to use electronic sequencers, which were introduced on Phaedra, a development that had not only a large impact on the group's music but to many electronic musicians to this day. Franke stayed with the group for 17 years, leaving in 1988 because of exhausting touring schedules, as well as creative differences with Froese.
Other long-term members of the group include Peter Baumann, who later went on to found the New Age label Private Music, to which the band was signed from 1988 to 1991; Johannes Schmoelling ; Paul Haslinger ; Froese's son Jerome Froese ; Linda Spa, a saxophonist who appeared on numerous albums and concerts and contributed one track on Goblins' Club; and most recently Thorsten Quaeschning of Picture Palace Music.
A number of other members were also part of Tangerine Dream for shorter periods of time. Unlike session musicians, these players also contributed to compositions of the band during their tenures. Some of the more notable members are Steve Schroyder, Michael Hoenig, Steve Jolliffe, Klaus Krüger and Ralf Wadephul.
Throughout the 1990s and into the 2000s, Tangerine Dream was often joined on stage by Zlatko Perica or Gerald Gradwohl on guitars, and Emil Hachfeld on electronic drums. Jerome Froese left in 2006 after a concert at the Tempodrom in Berlin. Until late 2014, Tangerine Dream comprised Edgar Froese, as well as Thorsten Quaeschning, who first collaborated in the composition of Jeanne d'Arc. For concerts and recordings, they were usually joined by Linda Spa on saxophone and flute, Iris Camaa on drums and percussion, and Bernhard Beibl on guitar. In 2011, electric violinist Hoshiko Yamane was added to the lineup and is featured on some of the most recent albums.
In late 2014, Bernhard Beibl announced on his Facebook page that he would stop collaborating with Tangerine Dream. Shortly thereafter, it was announced that Tangerine Dream would no longer be touring with Linda Spa or Iris Camaa, but that Ulrich Schnauss had been brought into the fold. Edgar Froese's death in January 2015, however, left this a short-lived line-up.
Origins: Psychedelia and krautrockEdgar Froese arrived in West Berlin in the mid-1960s to study art. His first band, the psychedelic rock-styled The Ones, disbanded after releasing only one single. After The Ones, Froese experimented with musical ideas, playing smaller gigs with a variety of musicians. Most of these performances were in the famous Zodiak Free Arts Lab, although one grouping also had the distinction of being invited to play for the surrealist painter Salvador Dalí. The music was partnered with literature, painting, early forms of multimedia, and more. It seemed as though only the most outlandish ideas attracted any attention, leading Froese to comment: "In the absurd often lies what is artistically possible." As members of the group came and went, the direction of the music continued to be inspired by the Surrealists, and the group came to be called by the surreal-sounding name of Tangerine Dream, inspired by mishearing the line "tangerine trees and marmalade skies" from The Beatles' track "Lucy in the Sky with Diamonds".
Froese was fascinated by technology and skilled in using it to create music. He built custom-made instruments and, wherever he went, collected sounds with tape recorders for use in constructing musical works later. His early work with tape loops and other repeating sounds was the obvious precursor to the emerging technology of the sequencer, which Tangerine Dream quickly adopted upon its arrival.
The first Tangerine Dream album, Electronic Meditation, was a tape-collage Krautrock piece, using the technology of the time rather than the synthesized music they later became famous for. The line-up for the album was Froese, Klaus Schulze, and Conrad Schnitzler. Electronic Meditation was published by Ohr in 1970 and began the period known as the Pink Years. Subsequent albums, beginning with Alpha Centauri, relied heavily on electronic instruments. The band's music during the early 1970s prominently featured organ from Steve Schroyder or Peter Baumann, commonly augmented by guitar from Froese and drums from Christopher Franke. They also started their heavy usage of the Mellotron during this period.
Rise to fame: The Virgin yearsThe band's 1973 album Atem was named as Album of the Year by British DJ John Peel, and this attention helped Tangerine Dream to sign to the fledgling Virgin Records in the same year. Soon afterward they released the album Phaedra, an eerie soundscape that unexpectedly reached #15 in the UK Albums Chart and became one of Virgin's first bona fide hits. Phaedra was one of the first commercial albums to feature sequencers and came to define much more than just the band's own sound. The creation of the album's title track was something of an accident: the band was experimenting in the studio with a recently acquired Moog synthesizer, and the tape happened to be rolling at the time. They kept the results and later added flute, bass guitar, and Mellotron performances. The Moog, like many other early synthesizers, was so sensitive to changes in temperature that its oscillators would drift badly in tuning as the equipment warmed up, and this drift can easily be heard on the final recording. This album marked the beginning of the period known as the 'Virgin Years'.
Their mid-1970s work has been profoundly influential in the development of electronic music styles such as new age and electronic dance music.
In the 1980s, along with other electronic music pioneers such as Jean-Michel Jarre and Vangelis, the band were early adopters of the new digital technology, which revolutionized the sound of the synthesizer, although the group had been using digital equipment as early as the mid-1970s. Their technical competence and extensive experience in their early years with self-made instruments and unusual means of creating sounds meant that they were able to exploit this new technology to make music quite unlike anything heard before.
Tangerine Dream liveTangerine Dream's earliest concerts were visually simple by modern standards, with three men sitting motionless for hours alongside massive electronic boxes festooned with patch cords and a few flashing lights. Some concerts were even performed in complete darkness, as happened during the performance at York Minster on 20 October 1975. As time went on and technology advanced, the concerts became much more elaborate, with visual effects, lighting, lasers, pyrotechnics, and projected images. By 1977 their North American tour featured full-scale Laserium effects.
Through the 1970s and 1980s, the band toured extensively. The concerts generally included large amounts of unreleased and improvised material and were consequently widely bootlegged. They were notorious for playing extremely loudly and for a long time. The band released recordings of a fair number of their concerts, and on some of these the band worked out material that would later form the backbone of their studio recordings. An early example of this was the Ricochet album, which was recorded during a tour that included European cathedrals, with some later overdubbing.
Forays into vocalsMost of Tangerine Dream's albums are entirely instrumental. Three albums that prominently featured lyrics were Cyclone, Tyger and Under Cover – Chapter One. While there have occasionally been a few vocals on the band's other releases, such as the track "Kiew Mission" from 1981's Exit and "The Harbor" from 1987's Shy People, the group only recently returned to featuring vocals in a musical trilogy based on Dante's Divine Comedy and their 2007 album Madcap's Flaming Duty.
After their 1980 East Berlin gig, when they became one of the first major Western bands to perform in a communist country. Tangerine Dream released a double live album of one of their performances there, called Poland, recorded during their tour in the winter at the end of 1983. With Poland, the band moved to the Jive Electro label, marking the beginning of the Blue Years.
SoundtracksThroughout the 1980s, Tangerine Dream composed scores for more than 20 films. This had been an interest of Froese's since the late 1960s, when he scored an obscure Polish film, as well as appearing as an actor in several German underground films. He made the score for the experimental film "Never shoot the bathroom man", directed by Jürgen Polland. Many of the group's soundtracks were composed at least partially of reworked material from the band's studio albums or work that was in progress for upcoming albums; see, for example, the resemblance between the track "Igneous" on their soundtrack for Thief and the track "Thru Metamorphic Rocks" on their studio release Force Majeure. Their first exposure on U.S. television came when a track for the then in-progress album Le Parc was used as the theme for the television program Street Hawk. Some of the more famous soundtracks have been Sorcerer, Thief, Legend, Risky Business, Shy People, The Keep, Firestarter, Flashpoint and Near Dark.
Tangerine Dream also composed the soundtrack score for the video game Grand Theft Auto V.
In 2016, Tangerine Dream released their own version of the theme music for the television series Stranger Things. Tangerine Dream had inspired music for the series.
Going independentSeveral of the band's albums released during the 1990s were nominated for Grammy Awards. Since then, Tangerine Dream with Jerome Froese took a directional change away from the new-age leanings of those albums and toward an electronica style. After Jerome's departure, founder Edgar Froese steered the band in a direction somewhat reminiscent of material throughout their career.
In later years, Tangerine Dream released albums in series. The Dream Mixes series began in 1995 with the last being released in 2010. The Divine Comedy series, based on the writings of Dante Alighieri, spanned 2002–2006. From 2007 to 2010, the Five Atomic Seasons were released. Most recently, the Eastgate Sonic Poems series, based on the works of famous poetic authors such as Edgar Allan Poe and Franz Kafka, began in 2011, with the last appearing in 2013. Also, beginning in 2007, Tangerine Dream released a number of EPs, referred to as "CupDiscs" by the band.
Edgar Froese also released a number of solo recordings, which are similar in style to Tangerine Dream's work. Jerome Froese released a number of singles as TDJ Rome, which are similar to his work within the Dream Mixes series. In 2005 he released his first solo album Neptunes under the name Jerome Froese. In 2006 Jerome left Tangerine Dream to concentrate on his solo career. His second solo album Shiver Me Timbers was released on 29 October 2007, and his third, Far Side of the Face, was released in 2012. Beginning in 2011, Jerome Froese joined with former Tangerine Dream member Johannes Schmoelling and keyboardist Robert Waters to form the band Loom, which plays original material, as well as Tangerine Dream classics. Thorsten Quaeschning, leader of Picture Palace Music, was brought into Tangerine Dream in 2005 and contributed to most of the band's albums and CupDiscs since then.
The group had recording contracts with Ohr, Virgin, Jive Electro, Private Music, and Miramar, and many of the minor soundtracks were released on Varese Sarabande. In 1996, the band founded their own record label, TDI, and more recently, Eastgate. Subsequent albums are today generally not available in normal retail channels but are sold by mail-order or through online channels. The same applies to their Miramar releases, the rights to which the band bought back. Meanwhile, their Ohr and Jive Electro catalogs are currently owned by Esoteric Recordings.
Concert updatesTo celebrate their 40th anniversary, Tangerine Dream announced their only UK concert: at London Astoria on 20 April 2007. The band also played a totally free open-air concert in Eberswalde on 1 July 2007 and at the Alte Oper in Frankfurt on Main on 7 October 2007. 2008 saw the band in Eindhoven Netherlands playing at E-Day ; later in the year they also played the Night of the Prog Festival in Loreley, Germany, as well as concerts at the Kentish Town Forum, in London on 1 November, at the Picture House, Edinburgh on 2 November, and their first live concert in the USA for over a decade, at the UCLA Royce Hall, Los Angeles on 7 November.
In 2009, the group announced that they would play a concert at the Royal Albert Hall in London, on 1 April 2010, titled the Zeitgeist concert, 35 years after their milestone concert there on 2 April 1975. The entire concert was released as a 3-CD live album on 7 July 2010.
Tangerine Dream embarked in spring and summer 2012 on a tour of Europe, Canada and the USA called The Electric Mandarine Tour 2012: The 1st leg was a 5-date European tour, beginning on 10 April in Budapest via Padua, Milano, Zurich, and ending on 10 May in Berlin. The 2nd leg was a North-American tour which started with the Jazz Festival in Montréal on 30 June, followed by a concert on 4 July at the Bluesfest in Ottawa and continued as a 10-date US journey beginning in July in Boston, then New York, Philadelphia, Washington, and California. On 16 November 2014, Tangerine Dream performed in Melbourne, Australia, as part of Melbourne Music Week. They were the final shows with Froese. Tangerine Dream played two consecutive nights at the Union Chapel, Islington London on April 23 & 24 2018, the second supported by ex-Japan and Porcupine Tree musician Richard Barbieri. In October and November 2019, Tangerine Dream went on its 16 step Random & Revision Tour.
After Edgar Froese's deathEdgar Froese died suddenly in Vienna on 20 January 2015 from a pulmonary embolism. On 6 April 2015, the group's remaining members and Bianca Acquaye, pledged to continue working together in an effort to fulfill Froese's vision for the group. However, ex-member Jerome Froese announced in his Facebook time line that in his opinion Tangerine Dream will not exist without his father.
Tangerine Dream played their first show following Froese's death on 9 June 2016 in Szczecin, Poland.
On 29 September 2017, Tangerine Dream released their new studio album entitled Quantum Gate, celebrating the 50th anniversary of the band's foundation. The album is based on ideas and musical sketches by founder Edgar Froese and was completed by the remaining members of the band.
On 31 January 2020, Tangerine Dream re-released their December 2019 album Recurring Dreams, an 11-track collection of new recordings of some of the band's classic tracks, worldwide through Kscope. This was launched to coincide with the Tangerine Dream: Zeitraffer exhibition which opened on 17 January 2020 at London's Barbican and runs until 2 May 2020.
On 9 June 2020 Paul Frick became the first member to join the group following Edgar's death after making guest appearances the prior two years. The group is currently working on a new album as a four-piece.
InfluencesTangerine Dream began as a surreal rock band, with each of the members contributing different musical influences and styles. Edgar Froese's guitar style was inspired by Jimi Hendrix, while Christopher Franke contributed the more avant garde elements of Karlheinz Stockhausen and Terry Riley. Yes-like progressive rock influence was brought in by Steve Jolliffe on Cyclone. The sample-based sound collages of Johannes Schmoelling drew their inspiration from a number of sources; one instance is Steve Reich's Music for 18 Musicians on parts of Logos Live, and the track "Love on a Real Train" from the Risky Business soundtrack.
Classical music has had an influence on the sound of Tangerine Dream over the years. György Ligeti, Johann Sebastian Bach, Maurice Ravel, and Arcangelo Corelli are clearly visible as dominant influences in the early albums. A Baroque sensibility sometimes informs the more coordinated sequencer patterns, which has its most direct expression in the La Folia section that comes at the very end of the title track of Force Majeure. In live performances, the piano solos often directly quoted from Romantic classical works for piano, such as the Beethoven and Mozart snippets in much of the late 1970s – early 1980s stage shows. In the bootleg recording of the Mannheim Mozartsaal concert of 1976, the first part of the first piece also clearly quotes from Franz Liszt's Totentanz. The first phrase is played on a harpsichord synthesizer patch and is answered by the second half of the phrase in a flute voicing on a Mellotron. During the 1990s, many releases included recordings of classical compositions: Pictures at an Exhibition, Largo , Symphony in A Minor, and Concerto in A Major / Adagio .
Since the 1990s, Tangerine Dream have also recorded cover versions of Jimi Hendrix' "Purple Haze" and The Beatles' "Eleanor Rigby", "Back in the U.S.S.R.", "Tomorrow Never Knows", and "Norwegian Wood".
An infrequently recurring non-musical influence on Tangerine Dream, and Edgar Froese in particular, have been 12th–19th-century poets. This was first evident on the 1981 album Exit, the track title "Pilots of the Purple Twilight" being a quote from Alfred Lord Tennyson's poem Locksley Hall. Six years later, the album Tyger featured poems from William Blake set to music; and around the turn of the millennium, Edgar Froese started working on a musical trilogy based on Dante Alighieri's Divine Comedy, completed in 2006. Most recently, the 2007 album Madcap's Flaming Duty features more poems set to music, some again from Blake but also e.g. Walt Whitman.
Pink Floyd were also an influence on Edgar Froese and Tangerine Dream, the band in its very early psychedelic rock band phase playing improvisations based on Pink Floyd's "Interstellar Overdrive". Madcap's Flaming Duty is dedicated to the memory of the late Syd Barrett. The title refers to Barrett's solo release "The Madcap Laughs".
The band's influence can be felt in ambient artists such as Deepspace, The Future Sound of London, David Kristian, and Global Communication, as well as rock, pop, and dance artists such as Porcupine Tree, M83, DJ Shadow, Ulrich Schnauss, Cut Copy, and Kasabian. The band also clearly influenced 1990s and 2000s Trance music, where lush soundscapes and synth pads are used along with repetitive synth sequences, much like in their 1975 releases Rubycon and Ricochet, as well as some of their music from the early 1980s. The group have also been sampled countless times, more recently by Recoil on the album SubHuman, by Sasha on Involver, and on several Houzan Suzuki albums. Michael Jackson also cited Tangerine Dream as one of his favourite bands, especially their 1977 soundtrack for Sorcerer.
In popular culture
- Steven Wilson, of Porcupine Tree, stated that Tangerine Dream was one of his influences to make his music, and often cites Zeit as his all-time favorite album.
- Japanese electronic musician Susumu Hirasawa dedicated his song "Aurora to Tangerine Dream. At 13 minutes, it is Hirasawa's longest composition.
- In science fiction author Alastair Reynolds's Revelation Space universe, one of the gas giant planets in the Epsilon Eridani system is named Tangerine Dream.
- The Japanese band Do As Infinity's debut single "Tangerine Dream" was named after the band.
- Till Lindemann, vocalist of Rammstein, stated that Tangerine Dream was one of his influences to make his music.
- In an episode of Aqua Teen Hunger Force a character named Romulox mentions the band Tangerine Dream.
- At the end of Tenacious D's track "City Hall", lead singer Jack Black references the group.
- British rock and roll band Kasabian recently paid tribute to Tangerine Dream, describing them as one of their "spiritual influences".
- In the 1983 movie Valley Girl, the character of Randy can be seen wearing a Tangerine Dream concert shirt during the "I Melt With You" montage scene when sitting in the mall food court with Julie.
- In , Mike comments on the electronic soundtrack: "Well, the Tangerine Dream music is nice!"
- In Rob Reiner's 1984 mockumentary This Is Spinal Tap, several copies of Tangerine Dream's 1980 album Tangram can briefly be seen in the record store in which members of Spinal Tap make an ill-fated signing appearance.
- The video game Last Ninja 2 features a reworked version of the Tangerine Dream track "Midnight in Tula" in the level The Office, and of "Alchemy Of The Heart" in the level The Mansion.
- The video game Grand Theft Auto IV contains the Tangerine Dream track "Remote Viewing" as one of the songs played on the in-game radio station The Journey.
- During the summer of 1982 the Polish broadcaster Telewizja Polska used a part of Tangerine Dream's "Ricochet" as the background of the weather forecast shown at the end of the major release of their then-information program "Dziennik Telewizyjny".
- The track "Love on a Real Train" is used in the films Risky Business, The Squid and the Whale, Louder Than Bombs, at the end of the episode "eps1.4_3xpl0its.wmv" in Season 1 of Mr. Robot, and in , in which Phaedra is also used during the mirror scene.
- In 2016, Netflix's original show Stranger Things used three Tangerine Dream tracks in its soundtrack: "Green Desert" from Green Desert in episode five, "Exit" from Exit in episode six and "Tangent " from Poland in episode eight. Composers of the soundtrack for the show, Kyle Dixon and Michael Stein of the electronic band Survive, also cited Tangerine Dream as the key influence behind the soundtrack, some of which were later covered by Tangerine Dream themselves.
- Various Tangerine Dream tracks were utilized on the television soap opera Santa Barbara'' during the serial's early years.
- In 2018, the Netflix interactive film used the tracks "Love on a Real Train", "Phaedra" and "Mysterious Semblance at the Strand of Nightmares".
- Tangerine Dream's track Choronzon has been featured in the opening sequence of Hungarian public service television channel MTV1's political background program Panoráma.
- Thorsten Quaeschning – bandleader, music director, synthesizer, sequencer, drums, guitar
- Hoshiko Yamane – acoustic violin, electric viola, electric violin, cello, Ableton Push controller, looper, synthesizer
- Ulrich Schnauss – synthesizer, piano, sequencer, Ableton
- Paul Frick – synthesizer, piano
- Edgar Froese – leader and founder, keyboards, guitars
- Lanse Hapshash – drums
- Kurt Herkenberg – bass
- Volker Hombach – saxophone, violin, flute
- Charlie Prince – vocals
- Steve Jolliffe – saxophone, keyboards, flute
- Al Akhbar – drums and percussion
- Happy Dieter – bass
- Klaus Schulze – drums, percussion
- Conrad Schnitzler – cello, violin, fx
- Christopher Franke – keyboards, drums
- Steve Schroyder – keyboards, vocals
- Peter Baumann – keyboards
- Michael Hoenig – keyboards
- Klaus Krüger – drums, percussion
- Johannes Schmoelling – keyboards
- Paul Haslinger – keyboards, guitars
- Ralf Wadephul – keyboards
- Jerome Froese – keyboards, guitars
- Linda Spa – saxophone, flute, keyboards
- Zlatko Perica – guitars
- Iris Camaa – percussion, Roland V-Drums
- Bernhard Beibl – guitars, violin
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- Jimmy Jackson – organ on Electronic Meditation
- Thomas Keyserling – flute on Electronic Meditation
- Udo Dennebourg – flute on Alpha Centauri
- Roland Paulick – synthesizer on Alpha Centauri
- Florian Fricke
- Christian Vallbracht
- Jochen von Grumbcow
- Hans Joachim Brüne
- Johannes Lücke
- Eduard Meyer
- Susanne Pawlitzki
- Jocelyn Bernadette Smith
- Jacquie Virgil
- Diamond Ross
- Hubert Waldner
- Chi Coltrane
- Enrico Fernandez
- Richi Wester
- Jayney Klimek – vocals
- Roland Braunstein
- Julie Ocean
- Mark Hornby
- Gerald Gradwohl – guitars
- Gisela Kloetzer
- Milan Polak
- Emil Hachfeld – codotronic drums
- Vicki McClure
- Barbara Kindermann
- Claire Foquet
- Jane Monet
- Bianca Acquaye
- Bry Gonzales
- Jack Liberty
- Lerk Andebracht
- Zlatko Perica – guitars
- Saskia Klumpp
- Tatjana Kouchev
- Fridolin Johann Harms
- Brandenburg Symphonic Orchestra
- Neuer Kammerchor Potsdam
- Claire Fouquet
- Barbara Kindermann
- Diane Miller
- Jane Monet
- Christian Hausl
- Gynt Beator
- Thomas Beator
- Hetty Snell
- Zoe Marshall
- Stephanie Oade
- Rebecca J. Herman
- Carolina Eyck
- Paul Frick Now an official regular Member
- Electronic Meditation
- Alpha Centauri
- Force Majeure
- White Eagle
- Logos Live
- Risky Business
- Le Parc
- Green Desert
- Underwater Sunlight
- Three O'Clock High
- Near Dark
- Shy People
- Optical Race
- Miracle Mile
- Lily on the Beach
- Destination Berlin
- Canyon Dreams
- Dead Solid Perfect
- The Park Is Mine
- L'Affaire Wallraff
- Deadly Care
- 220 Volt Live
- Turn of the Tides
- Catch Me If You Can
- Tyranny of Beauty
- The Dream Mixes
- Goblins' Club
- TimeSquare – Dream Mixes II
- The Keep
- Ambient Monkeys
- Der Meteor
- The Hollywood Years Vol. 1
- The Hollywood Years Vol. 2
- Valentine Wheels
- What a Blast
- Mars Polaris
- Great Wall of China
- Soundmill Navigator
- Antique Dreams
- The Seven Letters from Tibet
- The Past Hundred Moons
- The Melrose Years
- Mota Atma
- DM 4
- Aachen–January 21st 1981
- Montreal–April 9th 1977
- Paris–February 2nd 1981
- Sydney–February 22nd 1982
- Ottawa–June 20th 1986
- Arizona Live
- Cleveland–June 24th 1986
- Brighton–March 25th 1986
- Jeanne d'Arc
- Rocking Mars
- Phaedra 2005
- Blue Dawn
- Detroit–March 31st 1977
- Preston- November 5th 1980
- Plays Tangerine Dream
- Springtime In Nagasaki
- Madcap's Flaming Duty
- Summer In Nagasaki
- One Times One
- Purple Diluvial
- Views from a Red Train
- The Anthology Decades
- Tangram 2008
- Hyperborea 2008
- Autumn in Hiroshima
- Booster II
- The London Eye Concert
- Chandra - The Phantom Ferry Part I
- Winter in Hiroshima
- Booster III
- DM V
- Zeitgeist Concert
- Under Cover – Chapter One
- The Endless Season
- Booster IV
- The Island of the Fay
- The Gate of Saturn
- The Angel of the West Window
- Live at The Lowry Manchester 2011
- Mona da Vinci
- Finnegans Wake
- Knights of Asheville
- Machu Picchu
- Booster V
- Live In Budapest at Béla Bartók National Concert Hall
- Live at Admiralspalast Berlin
- Cruise to Destiny
- Starmus — Sonic Universe
- One Night in Africa
- Booster VI
- Franz Kafka — The Castle
- The Cinematographic Score — GTA 5
- Chandra - The Phantom Ferry Part II
- Sorcerer 2014
- Josephine The Mouse Singer
- Phaedra Farewell Tour – The Concerts
- Mala Kunia
- Booster VII
- Supernormal – The Australian Concerts 2014
- The Official Bootleg Series Volume One
- Quantum Key
- The Official Bootleg Series Volume Two
- Live at The Philharmony Szczecin - Poland
- Light Flux
- The Sessions I
- Quantum Gate
- The Sessions II
- The Sessions III
- The Sessions IV
- Live at Augusta Raurica Switzerland 2016
- The Official Bootleg Series Volume Three
- The Sessions V
- Recurring Dreams
- Live At Reims Cathedral 1974